{"title":"Pride Collection","description":"\u003cp\u003eThis curated selection for Pride Month celebrates diverse voices and perspectives within the LGBTQ+ community, showcasing an inspiring array of literature and art by queer writers and artists.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md !mx-0\"\u003eA percentage of the proceeds will be donated to The Lesbian, Gay, Bisexual \u0026amp; Transgender Community Center (The Center) in New York. Established in 1983 at the height of the AIDS crisis, The Center has grown to meet the changing needs of New York’s LGBTQ+ community, delivering services that empower people to lead healthy, successful lives.\u003c\/p\u003e\n\u003c!----\u003e","products":[{"product_id":"the-young-and-evil","title":"The Young and Evil","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eLauded by Jerry Saltz as “one of the most reactionary yet radical visions of art,”\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Young and Evil\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003etells the story of a group of artists and writers active during the first half of the twentieth century, when homosexuality was as problematic for American culture as figuration was for modernist painting.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThese artists—including Paul Cadmus, Fidelma Cadmus Kirstein, Charles Henri Ford, Jared French, Margaret Hoening French, George Platt Lynes, Bernard Perlin, Pavel Tchelitchew, George Tooker, Alexander Jensen Yow, and their circle—were new social creatures, playfully and boldly homosexual at a time when it was both criminalized and pathologized. They pursued a modernism of the body—driven by eroticism and bounded by intimacy, forming a hothouse world within a world that doesn’t nicely fit any subsequent narrative of modern American art. In their work, they looked away from abstraction toward older sources and models—classical and archaic forms of figuration and Renaissance techniques. What might be seen as a reactionary aesthetic maneuver was made in the service of radical content—endeavoring to depict their own lives. Their little-known history is presented here through never- before-exhibited photographs, sculptures, drawings, ephemera, and rarely seen major paintings—offering the first view of its kind into their interwoven intellectual, artistic, and personal lives.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Edited by Jarrett Earnest, who also curated the 2019 exhibition at David Zwirner New York,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Young and Evil\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003efeatures new scholarship by art historians Ann Reynolds and Kenneth E. Silver and an interview with Alexander Jensen Yow by Michael Schreiber.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843694719137,"sku":"9781644230268","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2020YoungandEvil_0005-v.jpg?v=1756817136"},{"product_id":"visions-and-ecstasies-selected-essays","title":"Visions and Ecstasies: Selected Essays","description":"\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eH.D.’s writing continues to inspire generations of readers. Bringing together a number of never-before-published essays, this new collection of H.D.’s writings introduces her compelling perspectives on art, myth, and the creative process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eWhile she is best known for her elemental poetry, which draws heavily on the imagery of natural and ancient worlds, H.D.’s critical writings remain a largely underexplored and unpublished part of her oeuvre. Crucial to understanding both the formative contexts surrounding her departure from Imagism following World War I and her own remarkable creative vision,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNotes on Thought and Vision\u003c\/em\u003e, written in 1918, is one of the central works in this collection. H.D. guides her reader to the untamed shores of the Isles of Scilly, where we hear of powerful, transformative experiences and of her intense relationship with the paintings of Leonardo da Vinci. The accompanying essays, many published here for the first time, help color H.D.’s astute critical engagement with the past, from the city of Athens and the poetry of ancient Greece. Like Rainer Maria Rilke’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLetters to a Young Painter\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2017), also published in the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eekphrasis\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eseries, this collection is essential reading for anyone interested in the creative process.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843718803617,"sku":"9781644230237","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2019HD_0008-v.jpg?v=1756816429"},{"product_id":"felix-gonzaleztorres","title":"Felix Gonzalez-Torres","description":"\u003cdiv data-mce-fragment=\"1\" class=\"titlewithtext\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOne of the most significant artists to emerge in the late 1980s and early 1990s, Felix Gonzalez-Torres’s reduced formal vocabulary, conceptual rigor, and evocative use of everyday materials resonates with meaning that is at once specific and mutable, rigorous and generous, poetic and political.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeaturing several key bodies of work from throughout the artist’s career, this publication showcases a series of distinct installations at David Zwirner in New York in 2017. The interplay with the specific architecture of the gallery and the way works are installed is highlighted throughout the catalogue, with images that explore the poetics of how space and work influence each other. Together, in their radical openness to interventions of site, audience, and context, the works on view challenge perceived notions of what constitutes an exhibition space, a public, an artwork itself. Despite the resolute abstraction of much of his work, Gonzalez-Torres worked with familiar materials, from his iconic candy spill works and his evocative light string pieces, but also including mirrors, clocks, and curtains. His work activates the architecture of the various spaces, the physicality of the viewer, the past and present, continuously maintaining its relevance.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOpening with details of the exhibition and images of visitors in the spaces, the publication walks the reader through each piece. New text by David Breslin explores the variety of works included here while contextualizing Gonzalez-Torres’s contribution to art history.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843790336161,"sku":"9781941701768","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2018Gonzalez-Torres_0004-v.jpg?v=1756816841"},{"product_id":"the-psychology-of-an-art-writer","title":"The Psychology of an Art Writer","description":"\u003cdiv class=\"my-[3.75rem]\"\u003e\n\u003cdiv data-testid=\"portable-text-block\" class=\"[\u0026amp;\u0026gt;p]:mb-5 last:[\u0026amp;\u0026gt;p]:mb-0\"\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eAn openly lesbian, feminist writer, Vernon Lee—a pseudonym of Violet Paget—is the most important female aesthetician to come out of nineteenth century England.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eThough she was widely known for her supernatural fictions, Lee hasn’t gained the recognition she so clearly deserves for her contributions in the fields of aesthetics, philosophy of empathy, and art criticism. An early follower of Walter Pater, her work is characterized by extreme attention to her own responses to artworks, and a level of psychological sensitivity rarely seen in any aesthetic writing. Today, she is largely overlooked in curriculums, her aesthetic works long out of print.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eDavid Zwirner Books is reintroducing Lee’s writing through the first-ever English publication of \"Psychology of an Art Writer\" (1903) along with selections from her groundbreaking \"Gallery Diaries\" (1901–1904), breathtaking accounts of Lee’s own experiences with the great paintings and sculptures she traveled to see. Ranging from deeply felt assessments of the way mood affects our ability to appreciate art, to detailed descriptions of some of the most powerful personal experiences with artworks, these writings provide profound insights into the fields of psychology and aesthetics. Her philosophical inquiries in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Psychology of an Art Writer\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eleave no stone unturned, combining fine-grained ekphrases with high fancy and dense abstraction. The diaries, in turn, establish Lee as one of the most sensitive writers about art in any language.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eWith a foreword by Berkeley classicist Dylan Kenny, which guides the reader through these writings and contextualizes these texts within Lee’s other work, this is the quintessential introduction to her astonishing and complex oeuvre.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843827921057,"sku":"9781941701782","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2018Lee_0009-v.jpg?v=1756816424"},{"product_id":"the-critic-as-artist","title":"The Critic as Artist","description":"\u003cdiv class=\"my-[3.75rem]\"\u003e\n\u003cdiv data-testid=\"portable-text-block\" class=\"[\u0026amp;\u0026gt;p]:mb-5 last:[\u0026amp;\u0026gt;p]:mb-0\" style=\"--tw-ring-color: rgba(59,130,246,.5); --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid rgb(229, 231, 235); box-sizing: border-box; scrollbar-color: auto; scrollbar-width: auto;\"\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Critic as Artist\u003c\/em\u003e, arguably the most complete exploration of his aesthetic thinking, and certainly the most entertaining, Oscar Wilde harnesses his famous wit to demolish the supposed boundary between art and criticism.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eSubtitled\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eUpon the Importance of Doing Nothing\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDiscussing Everything\u003c\/em\u003e, the essay takes the form of a leisurely dialogue between two characters: Ernest, who insists upon Wilde’s own belief in art’s freedom from societal mandates and values, and a quizzical Gilbert. With his playwright’s ear for dialogue, Wilde champions idleness and contemplation as prerequisites to artistic cultivation. Beyond the well-known dictum of art for art’s sake, Wilde’s originality lays argument for the equality of criticism and art. For him, criticism is not subject to the work of art, but can in fact precede it: the artist cannot create without engaging his or her critical faculties first. And, as Wilde writes, “To the critic the work of art is simply a suggestion for a new work of his own.”\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eThe field of art and criticism should be open to the free play of the mind, but Wilde plays seriously, even prophetically. Writing in 1891, he foresaw that criticism would have an increasingly important role as the need to make sense of what we see increases with the complexities of modern life. It is only the fine perception and explication of beauty, Wilde suggests, that will allow us to create meaning, joy, empathy, and peace out of the chaos of facts and reality.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36844302794913,"sku":"9781644230039","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2019Wilde_0007-v.jpg?v=1756816409"},{"product_id":"the-five-lives-of-hilma-af-klint","title":"The Five Lives of Hilma af Klint","description":"\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eA moving biography, told in vivid illustrations, this graphic novel features key moments in the life of Swedish artist and pioneer of abstract painting Hilma af Klint (1862–1944). Long underrecognized, af Klint is amid a sensational rediscovery that continues to take art audiences by storm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eArtist Philipp Deines traces the story of now world-famous af Klint’s unique life and groundbreaking oeuvre through five chapters featuring her development as an artist, her family background, and her relationship to the spiritual. Highlighting how she came to her distinctive paintings, her spiritual quest, and the friends who helped her, this is a story of the strength it took af Klint to continue as an artist against all odds.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eBeautifully drawn, brightly colored, and well researched, this graphic novel is a new way of looking at the story of an artist. Referencing Julia Voss’s new biography of af Klint, Deines presents an accessible and lively introduction for many ages. Biography, art history, and contemporary narrative style merge and complement each other in this magnificent visual world.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":41300844150945,"sku":"9781644230695","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2022FiveLivesofHilmaafKlint_cover-angle-v.jpg?v=1756816655"},{"product_id":"something-close-to-music","title":"Something Close to Music","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eAn intimate and unique collection of the work of John Ashbery—a prolific poet and art critic—pairing poetry and art writings with playlists of music from his personal library. This book places poetry by Ashbery, gathered from his later collections, in conversation with a selection of contemporaneous art writing. In addition, as Ashbery loved music and listened to it while writing, the “playlists” here present samplings of music from these same years, culled from his own library of recordings. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAshbery’s poetry is frequently described as ekphrastic, though, rather than writing a poem “based on” or “inspired” by the content of an artwork or piece of music, he engages with how the experience of seeing it and the artistic strategies employed offer ways of thinking about it and through it. Many observations from Ashbery’s art writing also provide keys to how we might read his poetry.\u003c\/p\u003e\n\u003cp\u003eMany recordings he listened to feature contemporary classical works that emphasize complex textures, disparate sounds, and disjunct phrases—qualities which are mimicked in his poetry. In exploring this ekphrastic book project, the reader is invited to discover how, for Ashbery, these three forms might illuminate and inform one another. In Mónica de la Torre’s introduction, she explores the connection between the three muses of music, art, and poetry, and the ekphrastic experience of reading Ashbery.\u003cbr\u003e\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":41300844314785,"sku":"9781644230701","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2022Ashbery_03-v.jpg?v=1756816385"},{"product_id":"strange-impressions","title":"Strange Impressions","description":"\u003cp data-mce-fragment=\"1\"\u003eSelections from Romaine Brooks’s unpublished memoir \u003ci data-mce-fragment=\"1\"\u003eNo Pleasant Memories\u003c\/i\u003e expose the psyche and practice of this underrecognized queer, female artist.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMost known for her bold and darkly painted portraits, Brooks was revolutionary in her feminist renderings of women in resistance. Openly queer, she challenged conceptions of gender and sexuality in her art, which also served as her refuge. While many of her male counterparts were disfiguring and cubing their subjects—often women—Brooks gave personhood and power to the figures she painted. Her frank approach to her complicated relationship with her mother, faith, wealth, sexuality, and gender is complemented by a keen wit that echoes the gray tones of her work.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThough her paintings are held in major collections, Brooks’s influence in modernist circles of the early twentieth century is largely underexplored. This new publication, guided by Brooks’s own impressionistic musings, bridges an important gap between the art and the artist. An introduction by Lauren O’Neill-Butler explores Brooks’s role as an artist in the early twentieth century through the lens of gender and sexuality. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBy Romaine Brooks. Introduction by Lauren O’Neill-Butler.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e \u003c\/b\u003e\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":42146415411361,"sku":"9781644230824","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2022Brooks_002.png?v=1756816384"},{"product_id":"hilma-af-klint-tree-of-knowledge","title":"Hilma af Klint: Tree of Knowledge","description":"\u003cdiv class=\"my-[3.75rem]\"\u003e\n\u003cdiv data-testid=\"portable-text-block\" class=\"[\u0026amp;\u0026gt;p]:mb-5 last:[\u0026amp;\u0026gt;p]:mb-0\" style=\"--tw-ring-color: rgba(59,130,246,.5); --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid rgb(229, 231, 235); box-sizing: border-box; scrollbar-color: auto; scrollbar-width: auto;\"\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eThe first detailed survey of Swedish artist Hilma af Klint’s groundbreaking\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTree of Knowledge\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eseries\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e“Revelatory and sublime. . . . Her work remains conceptually open enough for viewers to draw their own conclusions, insert their own meaning and feel transported to other glorious worlds.” —\u003cem\u003eThe New York Times\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eOne of the most inventive artists of the twentieth century, af Klint was a pioneer of abstraction. Her first forays into nonobjective painting preceded the work of Kandinsky and Mondrian and radically mined the fields of science and religion. Deeply interested in spiritualism and philosophy, af Klint developed an iconography that explores esoteric concepts in metaphysics, as demonstrated in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTree of Knowledge\u003c\/em\u003e. This rarely seen series of works on paper renders orbital, enigmatic forms, visual allegories of unification and separateness, darkness and light, beginning and end, life and death, and spirit and matter.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003ePublished on the occasion of the exhibition\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHilma af Klint: Tree of Knowledge\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eat\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.davidzwirner.com\/exhibitions\/2021\/hilma-af-klint-tree-of-knowledge\" class=\"transition-text-decoration duration-300 ease-in decoration-1 cursor-pointer underline decoration-black-40 hover:decoration-black-60 focus:decoration-black-60 underline-offset-[0.375rem]\" target=\"_self\"\u003eDavid Zwirner, New York\u003c\/a\u003e, in 2021 and\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.davidzwirner.com\/exhibitions\/2022\/hilma-af-klint-tree-of-knowledge-london\" class=\"transition-text-decoration duration-300 ease-in decoration-1 cursor-pointer underline decoration-black-40 hover:decoration-black-60 focus:decoration-black-60 underline-offset-[0.375rem]\" target=\"_self\"\u003eDavid Zwirner, London\u003c\/a\u003e, in 2022, this book features a text by the art historian Susan Aberth examining af Klint’s spiritual and theosophical influences. With a conversation between curator Helen Molesworth and the US Poet Laureate Joy Harjo discussing connections between\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTree of Knowledge\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand Native theories, the publication broadens the scope of philosophical interpretations of af Klint's timeless work. Also included is a newly commissioned essay by the celebrated af Klint scholar Julia Voss, a contribution by the artist Suzan Frecon, and a text by art historian Max Rosenberg that further develops the conversation around why af Klint’s work was not recognized in its time.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":42757639241889,"sku":"9781644230848","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/v2_2023afKlint_002-v.jpg?v=1756816983"},{"product_id":"blue","title":"Blue","description":"\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eDerek Jarman's\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBlue\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eweaves a sensory tapestry that serves as both a political call to action and a meditation on illness, dying, and love.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e“For\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBlue\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ethere are no boundaries or solutions.” —Derek Jarman\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eOriginally released as a feature film in 1993, the year before the acclaimed artist and filmmaker Derek Jarman’s death due to an AIDS-related illness,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBlue\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a daring and powerful work of art. The film and its script, as reproduced in this volume, serve as an impassioned response to the lack of political engagement with the AIDS crisis.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eJarman's Blue moves through myriad scenes, some banal, others fantastical. Stories of quotidian life––getting coffee, reading the newspaper, and walking down the sidewalk––escalate to visions of Marco Polo, the Taj Mahal, or blue fighting yellow. Facing death and a cascade of pills, Jarman presents his illness in delirium and metaphors. He contemplates the physicality of emotions in lyrical prose as he grounds this story in the constant return to Blue—a color, a feeling, a funk. Michael Charlesworth's compelling introduction brings\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBlue\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003einto conversation with Jarman’s visual paintings.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":42757640913057,"sku":"9781644230886","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2023Jarman_001-v.jpg?v=1756816378"},{"product_id":"at-home-alice-neel-in-the-queer-world","title":"At Home: Alice Neel in the Queer World","description":"\u003cdiv class=\"my-[3.75rem]\"\u003e\n\u003cdiv class=\"@apply [\u0026amp;\u0026gt;p]:mb-[1.25rem] last:[\u0026amp;\u0026gt;p]:mb-0\" style=\"border: 0px solid rgb(229, 231, 235); box-sizing: border-box; scrollbar-color: auto; scrollbar-width: auto; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000;\"\u003e\n\u003cp class=\"text-black-100 @apply text-sm md:text-md\"\u003eTexts by Hilton Als, Alex Fialho, Evan Garza, and Wayne Koestenbaum\u003c\/p\u003e\n\u003cp class=\"text-black-100 @apply text-sm md:text-md\"\u003e\u003cstrong\u003eAlice Neel's unstinting, visionary engagement with the lives of those around her resulted in an inclusive oeuvre. This aspect of queer representation in her work is explored for the first time in this new catalogue.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 @apply text-sm md:text-md\"\u003eCurated by Hilton Als and organized in collaboration with the Estate of Alice Neel,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAt Home: Alice Neel in the Queer World\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ehighlights the artist’s vibrant involvement with the human condition. Within a lifetime of work, Neel painted many people from many walks of life––this catalogue is the first to focus on queer communities, those who were part of their circle, as well as allies and others with whom the artist was in broader conversation—together forming a collective portrait that both embodies and complicates an understanding of the queer world of Neel’s moment and the artist’s place within it.\u003c\/p\u003e\n\u003cp class=\"text-black-100 @apply text-sm md:text-md\"\u003eThis collection of paintings includes rarely seen works depicting individuals including Frank O’Hara, Allen Ginsberg, and Adrienne Rich, as well as writers, artists, friends, and advocates. As Als notes, this book includes “not just portraits of gay people but those of theorists, activists, politicians, and so on who would qualify as queer by virtue of their different take in their given field and thus the world. 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Edited and with a text by Als, the volume includes newly commissioned contributions by Alex Fialho, Evan Garza, and Wayne Koestenbaum.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-5\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c!----\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":43455892029601,"sku":"9781644231302","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/SHOPIFYFRAME_ba1ffb72-416f-4095-b87c-26d84a25607c.png?v=1770833720"},{"product_id":"wolfgang-tillmans-to-look-without-fear","title":"Wolfgang Tillmans: To look without fear","description":"\u003cp\u003e Encompassing photography, installation, print media, video and more, this publication is the most comprehensive account of Tillmans's wide-ranging career to date\u003c\/p\u003e\n\u003cdiv class=\"my-[3.75rem]\"\u003e\n\u003cdiv class=\"@apply [\u0026amp;\u0026gt;p]:mb-[1.25rem] last:[\u0026amp;\u0026gt;p]:mb-0\" style=\"border: 0px solid rgb(229, 231, 235); box-sizing: border-box; scrollbar-color: auto; scrollbar-width: auto; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000;\"\u003e\n\u003cp class=\"text-black-100 @apply text-sm md:text-md\"\u003eA visionary creator and intrepid polymath, Wolfgang Tillmans unites formal inventiveness with an ethical orientation that attends to the most pressing issues of life today. While his work transcends the bounds of any single artistic discipline, he is best known for his wide-ranging photographic output. From trenchant documents of social movements to windowsill still lifes, ecstatic images of nightlife to cameraless abstractions, sensitive portraits to architectural studies, astronomical phenomena to intimate nudes, he has explored seemingly every genre of photography imaginable, continually experimenting with how to make new pictures and deepen the viewer's experience.\u003c\/p\u003e\n\u003cp class=\"text-black-100 @apply text-sm md:text-md\"\u003ePublished in conjunction with a major exhibition of Tillmans's work at the Museum of Modern Art, this copiously illustrated volume surveys four decades of the artist's career. 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