{"title":"out of stock","description":"","products":[{"product_id":"tomma-abts-walther-konig","title":"Tomma Abts (Walther Konig)","description":"\u003cp\u003eBook\u003c\/p\u003e","brand":"3rd Party","offers":[{"title":"Default Title","offer_id":36695349559457,"sku":"9783863350604","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/products\/tomma-abts_walther-konig.jpg?v=1756816595"},{"product_id":"francis-alys-schilder-van-luchtspiegelingen","title":"Francis Alys: Schilder van luchtspiegelingen","description":"\u003cp\u003eBook\u003c\/p\u003e","brand":"3rd Party","offers":[{"title":"Default Title","offer_id":36837882855585,"sku":"9789461300850","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/products\/alys_shilder.jpg?v=1756816540"},{"product_id":"mamma-andersson-steidl","title":"Mamma Andersson (Steidl)","description":"\u003cp\u003eBook\u003c\/p\u003e","brand":"3rd Party","offers":[{"title":"Default Title","offer_id":36842240999585,"sku":"9783865213990","price":200.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/products\/mamma_andersson.jpg?v=1756817346"},{"product_id":"who-is-sleeping-on-my-pillow-mamma-andersson-jockum-nordstrom","title":"Who is sleeping on my pillow: Mamma Andersson \u0026 Jockum Nordström","description":"\u003cdiv class=\"my-[3.75rem]\"\u003e\n\u003cdiv data-testid=\"portable-text-block\" class=\"[\u0026amp;\u0026gt;p]:mb-5 last:[\u0026amp;\u0026gt;p]:mb-0\" style=\"--tw-ring-color: rgba(59,130,246,.5); --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid rgb(229, 231, 235); box-sizing: border-box; scrollbar-color: auto; scrollbar-width: auto;\"\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eThe Swedish artist couple Mamma Andersson and Jockum Nordström have been at the forefront of contemporary figurative art since the late 1980s. Updating Vuillard for a post-Hitchcock age, Andersson paints beguilingly eerie interiors and landscapes. Nordström’s detailed collages, watercolors, and drawings occupy a more folkloric realm peopled by historical and contemporary characters enacting sexual and social roles across broad narrative panoramas.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eOriginally published on the occasion of the 2010 exhibition at David Zwirner in New York,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWho is sleeping on my pillow\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003emarked the first time Andersson and Nordström presented their work in concurrent solo shows. The book showcases their work from the late 1980s to 2010 in over two hundred full-color plates, as well as numerous reproductions of family snapshots and source material. Also included are texts by Paolo Colombo and Anders Krüger, a poem by Stig Claesson, and an interview with Nordström by Marcel Dzama. As Colombo notes in his accompanying essay, “The miracle is that Jockum and Mamma spent more than half of their life together, and that over the years their complicity has guided them into the artists they are, each the complement and the best sounding board for the other.” The publication was reissued to coincide with Nordström’s 2014 exhibition,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFor the insects and the hounds\u003c\/em\u003e, at David Zwirner in London, and Andersson’s 2015 presentation,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBehind the Curtain\u003c\/em\u003e, at the gallery in New York.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"David Zwirner Books","offers":[{"title":"Default Title","offer_id":36842245226657,"sku":"9781935202264","price":75.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2014_Who_is_sleeping_on_my_pillow_0002.png?v=1756817228"},{"product_id":"michael-borremans-fixture","title":"Michaël Borremans: Fixture","description":"\u003cp\u003eBook\u003c\/p\u003e","brand":"3rd Party","offers":[{"title":"Default Title","offer_id":36842285793441,"sku":"9788494352881","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/products\/borremans-fixture-thumb.jpg?v=1756816967"},{"product_id":"michael-borremans-horse-hunting","title":"Michaël Borremans: Horse Hunting","description":"\u003cdiv class=\"my-[3.75rem]\"\u003e\n\u003cdiv data-testid=\"portable-text-block\" class=\"[\u0026amp;\u0026gt;p]:mb-5 last:[\u0026amp;\u0026gt;p]:mb-0\"\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cem\u003eMichaël Borremans: Horse Hunting\u003c\/em\u003e was published on the occasion of the artist’s second solo\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.davidzwirner.com\/exhibitions\/2006\/horse-hunting\" class=\"transition-text-decoration duration-300 ease-in decoration-1 cursor-pointer underline decoration-black-40 hover:decoration-black-60 focus:decoration-black-60 underline-offset-[0.375rem]\" target=\"_self\"\u003eexhibition\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eat David Zwirner in 2006. 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The title,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Course of Human History Personified\u003c\/em\u003e, is borrowed from the poet Dante and recalls both grandiose artistic and literary cycles from the nineteenth century such as the New York Hudson River School artist Thomas Cole’s five-painting\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Course of Empire of 1836\u003c\/em\u003e, where nature plays as large a role as humans. In Dzama’s art, personification has always been the main leitmotif—imagined characters and trees and beasts assume base human characteristics. 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box-sizing: border-box; scrollbar-color: auto; scrollbar-width: auto; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000;\"\u003e\n\u003cp class=\"text-black-100 @apply text-sm md:text-md\"\u003eThe work of Donald Judd, one of the most significant American artists of the postwar period, has come to define Minimalist art, a label to which the artist strongly objected. The unaffected, straightforward quality of Judd’s work demonstrates his strong interest in color, form, material, and space. Wanting to create works that could assume a direct material and physical presence without recourse to grand philosophical statements, Judd eschewed classical ideals of representational sculpture and created works that relied on clear, definite objects.\u003c\/p\u003e\n\u003cp class=\"text-black-100 @apply text-sm md:text-md\"\u003e\u003cem\u003eDonald Judd: Cor-ten\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003erepresents the first-ever focused examination of Judd’s works in Cor-ten steel, which he began to produce in earnest in 1989 and would continue to elaborate on until his death in 1994. Cor-ten is an alloy that makes steel more resistant to corrosion, and eliminates the need for paint. With its distinctive red-brown patina, Cor-ten afforded Judd a new medium for exploring the relationship between surface and volume, as well as color and form. 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His unaffected, straightforward approach to his work and his strong interest in color, form, material, and space led him to create striking art objects with a direct physical “presence,” eschewing grand philosophical statements. \u003c\/p\u003e\n\u003cp\u003eJudd began his practice as a painter in the late 1940s; however, he soon introduced three-dimensional elements into the surface of his work. His first sculptural objects took the form of shallow reliefs, and by 1963 he had begun to create freestanding works that were presented directly on the floor and the wall. Throughout his practice, Judd used materials such as plywood, steel, concrete, Plexiglas, and aluminum and employed commercial fabricators in order to get the surfaces and angles he desired, creating declaratively simple, fundamental sculptural forms. \u003c\/p\u003e\n\u003cp\u003eThis publication documents an exhibition held at David Zwirner in New York in 2011, which brought together twelve identically scaled aluminum works from the artist’s seminal 1989 solo presentation at the Staatliche Kunsthalle Baden-Baden. That exhibition marked the first time Judd used colored anodized aluminum in such a large, floor-mounted format —thus comprising one of his few explorations of color on a large scale and providing a focused investigation of one of the key concerns within his practice. Although he had previously examined the qualities of an open box form, the works created for Baden-Baden display a distinct systematic approach in determining the interior space of each box, which Judd divided vertically in different spatial configurations, sometimes introducing color through the use of anodized elements or sheets of Plexiglas in blue, black, or amber. 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Local in his interest in community and family, but global in his approach to art making, Murillo's creative explorations present us with some of the most pressing questions facing us today: how do communities define themselves, and how can a single individual—an artist—help facilitate communication between them and the larger world?\u003c\/p\u003e\n\u003cp\u003eInitiated by Murillo in 2013, \u003cem\u003e\u003ca href=\"http:\/\/frequenciesproject.net\/#\/\" target=\"_blank\"\u003eFrequencies\u003c\/a\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a long-term project, \u003cspan\u003edeveloped with members of his family, studio team, and collaborators around the world, that begins\u003c\/span\u003e to offer answers to these questions through painting and drawing. In 2013, Murillo began sending squares of raw canvas to selected schools in over twenty countries around the world, with the sole requirement that they be affixed to desks and illustrated by students. The canvases would stay there for a year and then be re-collected by the artist. Within weeks of their arrival, children from places as disparate as China and Slovenia began to draw, paint, write, and communicate, creating documents of their social and educational experiences.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFrequencies\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecatalogues the first year of Murillo\\s exploration, with intimate photographs of the participants and the projects myriad steps—the arrival of canvases to different schools, the process of wrapping desks, the students at work, and the final products. Designed by OMO Creates in close collaboration with the artist, the book not only brings together a vast amount of material now collected in the eponymous archive, with over six hundred pages of detailed spreads, but is itself an extension of the project—an ongoing catalogue that charts the creation of artworks as a communal and global endeavor.\u003c\/p\u003e","brand":"David Zwirner Books","offers":[{"title":"Default Title","offer_id":36842811031713,"sku":"9781941701225","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2015MurilloFrequencies_0003-v.jpg?v=1756817140"},{"product_id":"alice-neel-drawings-watercolors-19271978","title":"Alice Neel: Drawings \u0026 Watercolors 1927–1978","description":"\u003cp\u003eBook\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36842812965025,"sku":"9781941701133","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/products\/498400_753171849_product.jpg?v=1756816853"},{"product_id":"chris-ofili-devils-pie","title":"Chris Ofili: Devil's Pie","description":"\u003cdiv class=\"my-[3.75rem]\"\u003e\n\u003cdiv class=\"[\u0026amp;\u0026gt;p]:mb-5 last:[\u0026amp;\u0026gt;p]:mb-0\" data-testid=\"portable-text-block\"\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eFew artists's names can connote such diverse associations as the Virgin Mary, Rudolph Giuliani and elephant dung. Controversy tends to dog the art of Chris Ofili, and former New York Mayor Giuliani's suspension of funding for the Brooklyn Museum upon its exhibition of his 1996 painting\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Holy Virgin Mary\u003c\/em\u003e in 1999 was but one instance of the ire Ofili routinely arouses. When these occasional media commotions subside, one sees that the work is actually pleasing in more familiar ways: Ofili's surfaces sparkle with smears of glitter and bright veneer, resembling nothing so much as African icons. But Ofili has always been political, specifically in his confrontations with racial cliché, and in his insistent incorporation of materials from popular black culture. \u003cem\u003eDevil's Pie\u003c\/em\u003e derives its title from singer-songwriter D'Angelo's 1998 lyric meditation on temptation and retribution. 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Approaching “high” and “low” subject matter with equal appetite and comfort, Pettibon plumbs the depths of American sexuality, politics, subcultures, mores, and intellectual histories through themes ranging from Shakespeare to Gumby, surfers to the Bible, baseball to German Romanticism. \u003c\/p\u003e\n\u003cp\u003ePublished on the occasion of his major European traveling retrospective at the Deichtorhallen Hamburg – Sammlung Falckenberg,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRaymond Pettibon: Homo Americanus\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003epresents over six hundred works from every part of the artist’s career, the majority of which have never been shown before. Arranged thematically in thirty-two chapters, this unique catalogue charts the appearance and development of the themes that have come to define Pettibon’s expansive oeuvre. Different sections are introduced with excerpts from interviews conducted with the artist, and are further discussed in a detailed appendix by curator Ulrich Loock. Beyond shedding valuable light on the genesis and cross-pollination of Pettibon’s thematic interests, this catalogue is the first to tackle the artist’s work as a whole—as a kind of hive mind of American culture whose various branches constantly address and reinterpret one another. Of particular interest are Pettibon’s own readings of individual works in the book. In excerpts paired with corresponding images, Pettibon guides readers through his complex, often meandering turns of thought; never condescending, they invite readers to enter more deeply into his thinking without sacrificing the intellectual rigor and sense of mystery that makes Pettibon’s work so compelling and challenging. The book includes a complete facsimile of his first artists’ book,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCaptive Chains\u003c\/em\u003e—almost entirely unavailable for decades—in addition to numerous early drawings completed with his nephew, record covers, flyers, and sections dedicated to collages and drawings from the 1980s to today. Also featured are biographical notes compiled by Lucas Zwirner, offering a nuanced, insightful reading of Pettibon’s history, whose early life and work is often simplified and categorically tied to punk rock, and instead underscores the complexities surrounding the artist’s long-standing relationship with art, literature, and American culture. This unparalleled selection of Pettibon’s work is the definitive single volume for novices and experts alike.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36842886365345,"sku":"9781941701263","price":70.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2016PettibonHomoAmericanus_0005c-v.jpg?v=1756817171"},{"product_id":"raymond-pettibon-thinking-of-you","title":"Raymond Pettibon: Thinking of You","description":"\u003cp\u003eBook\u003c\/p\u003e","brand":"3rd Party","offers":[{"title":"Raymond Pettibon","offer_id":36842892492961,"sku":"9780941548380","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/products\/rp-thinking.jpg?v=1756817139"}],"url":"https:\/\/cart.davidzwirner.com\/collections\/out-of-stock.oembed?page=4","provider":"David Zwirner Books","version":"1.0","type":"link"}