{"title":"David Zwirner Books","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFounded in 2014 as the stand-alone publishing house of David Zwirner.\u003c\/span\u003e","products":[{"product_id":"28-paradises","title":"28 Paradises","description":"\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003ePublished in English for the first time,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e28 Paradises\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the marriage of prose and painting by Nobel-prize winning author Patrick Modiano and his partner, the illustrator Dominique Zehrfuss.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cem\u003e28 Paradises\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a rare book: it reveals not only the individual talents of the authors, Modiano and Zehrfuss, but also the depth of the couple’s creative union. Sensitively translated into English for the first time by Damion Searls,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e28 Paradises\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecaptures the exquisite sadness of waking from a beautiful dream. There are twenty-eight dreams in this book, or perhaps one dream in twenty-eight parts—visions of paradise imagined by Zehrfuss during a time of deep sadness. Captured first in Zehrfuss’s brightly colored gouaches, each paradise was then refashioned as a poem by Modiano.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eZehrfuss’s paintings are Edens in miniature, and rather than describe them outright, Modiano dreams himself into these reveries in quiet, understated verse. The reader enters this shared realm in an experience less like paging through a book and more like slipping into a shared world. These paradises are wishes for moments when a painting, or a poem, or a lover—perhaps they are not so different—relieves the loneliness of being human. As Modiano writes with a touch of wistfulness, “The Lilliputian painted her paradises \/ And I \/ Next to her \/ Wrote a poem.” A pure example of ekphrastic writing—poetry inspired by paintings—this book shows how writing and visual art can together create a unique emotional experience.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":35911914717345,"sku":"9781644230022","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/201928Paradises_0001.png?v=1756816445"},{"product_id":"james-bishop-david-zwirner-books","title":"James Bishop (David Zwirner Books)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThroughout his career, James Bishop has engaged with European and American traditions of postwar abstraction while developing a subtle, poetic, and highly unique visual language of his own. Alternating between—and at times interweaving—painting and drawing, Bishop’s works explore the ambiguities and paradoxes of material opacity and transparency, flatness and spatiality, as well as linear tectonics and loosely composed forms. Privileging the nuanced and expressive qualities of color and scale, Bishop’s luminous works have been described by American poet and art critic John Ashbery as “half architecture, half air.”\u003c\/p\u003e\n\u003cp\u003eIn the early 1960s, Bishop developed the vocabulary of color and form that would characterize his paintings on canvas for over twenty years: a reduced but rich palette, the employment of subtle architectonic abstractions, and a consistently large, square format that reinforces the viewer’s sense of scale and space. By overlapping thin but radiant veils of monochrome color, Bishop creates discrete geometric frameworks that suggest doors, windows, cubes, or what the artist describes as an uncertain scaffolding. \u003c\/p\u003e\n\u003cp\u003ePublished to coincide with James Bishop’s first solo presentation in New York since 1987, which was held at David Zwirner in New York in 2014, this volume includes works spanning the artist’s prolific career. The catalogue presents numerous large paintings on canvas from the 1960s to the early 1980s, as well as small-scale paintings on paper, to which Bishop turned exclusively in 1986 and which he continues to produce today. 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Originally published in 2010 on the occasion of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAgainst the Wall\u003c\/i\u003e, Dumas’s first solo presentation at David Zwirner in New York, this much sought-after exhibition catalogue—which sold out shortly after publication—has been reprinted to coincide with the artist’s 2014–2015 European retrospective exhibition\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Image as Burden\u003c\/i\u003e, organized by Tate Modern, London in collaboration with the Stedelijk Museum, Amsterdam and the Fondation Beyeler, Basel. \u003c\/p\u003e\n\u003cp\u003eThroughout her career, the internationally renowned artist has continually created lyrically charged compositions that eulogize the frailties of the human body, probing issues of love and melancholy. 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The title,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Course of Human History Personified\u003c\/em\u003e, is borrowed from the poet Dante and recalls both grandiose artistic and literary cycles from the nineteenth century such as the New York Hudson River School artist Thomas Cole’s five-painting\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Course of Empire of 1836\u003c\/em\u003e, where nature plays as large a role as humans. In Dzama’s art, personification has always been the main leitmotif—imagined characters and trees and beasts assume base human characteristics. The catalogue also includes a unique fold out designed by the artist.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"David Zwirner Books","offers":[{"title":"Default Title","offer_id":36842483384481,"sku":"9780976913610","price":60.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/DzamaHumanHistory.png?v=1756817092"},{"product_id":"marcel-dzama-puppets-pawns-and-prophets","title":"Marcel Dzama: Puppets, Pawns, and Prophets","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMarcel Dzama’s work is characterized by an immediately recognizable visual language that draws from a diverse range of references and artistic influences, including Dada and Marcel Duchamp. While he has become known for his prolific drawings with their distinctive palette of muted colors, in recent years, the artist has expanded his practice to encompass sculpture, painting, film, and dioramas. \u003c\/p\u003e\n\u003cp\u003eCreated in close collaboration with the artist, this richly illustrated catalogue presents his 2013 exhibition at David Zwirner in London, which included videos inspired by the game of chess and puppets and masks based on the characters, along with drawings, collages, dioramas, paintings, and sculptural works. Dzama utilized the architecture of the gallery itself—an eighteenth-century Georgian townhouse—by hanging puppets from a skylight above the five-story building’s central spiral staircase and placing monitors in the windows so videos were viewed from the street. As writer Deborah Solomon notes in her accompanying essay, “Naturally, it is a futile endeavor to try and extract anything as compact as a moral or a single storyline from the twisty symbolism of Dzama’s art. But you can say, at the very least, that his latest work is suffused with a sense of nostalgia for the European avant garde in its heyday—it invites you to enter a world filled with costumes and masks and erotic play, with chessboard personalities dancing their heads off, with the sort of brazen gestures in which the Dadaists and the Surrealists specialized. To be sure, the old avant garde is long gone. It isn’t coming back. 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His unaffected, straightforward approach to his work and his strong interest in color, form, material, and space led him to create striking art objects with a direct physical “presence,” eschewing grand philosophical statements. \u003c\/p\u003e\n\u003cp\u003eJudd began his practice as a painter in the late 1940s; however, he soon introduced three-dimensional elements into the surface of his work. His first sculptural objects took the form of shallow reliefs, and by 1963 he had begun to create freestanding works that were presented directly on the floor and the wall. Throughout his practice, Judd used materials such as plywood, steel, concrete, Plexiglas, and aluminum and employed commercial fabricators in order to get the surfaces and angles he desired, creating declaratively simple, fundamental sculptural forms. \u003c\/p\u003e\n\u003cp\u003eThis publication documents an exhibition held at David Zwirner in New York in 2011, which brought together twelve identically scaled aluminum works from the artist’s seminal 1989 solo presentation at the Staatliche Kunsthalle Baden-Baden. That exhibition marked the first time Judd used colored anodized aluminum in such a large, floor-mounted format —thus comprising one of his few explorations of color on a large scale and providing a focused investigation of one of the key concerns within his practice. Although he had previously examined the qualities of an open box form, the works created for Baden-Baden display a distinct systematic approach in determining the interior space of each box, which Judd divided vertically in different spatial configurations, sometimes introducing color through the use of anodized elements or sheets of Plexiglas in blue, black, or amber. 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These references to popular media are evidenced not merely in his choice of subject matter but also in his visual techniques: his sculptures frequently comprise smooth, mirrored surfaces, and his paintings employ bright and saturated colors. \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eJeff Koons: Gazing Ball\u003c\/i\u003e—the first catalogue on the artist’s work to be published by David Zwirner—was produced on the occasion of the major 2013 exhibition at the gallery in New York, which marked the world debut of his\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGazing Ball\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eseries, a brand new body of work that occupies an important place in the trajectory of his practice. Conceptually derived from the mirrored ornaments encountered on many suburban lawns, including those of Koons’s childhood hometown in rural Pennsylvania, every sculpture is anchored by a blue “gazing ball” of hand-blown glass. These are situated atop large, white-plaster sculptures that have been alternately modeled after iconic works from the Greco-Roman era, including the Farnese Hercules and the Esquiline Venus, or after such quotidian objects from the contemporary residential landscape as a rustic mailbox, a birdbath, and an inflatable garden snowman. \u003c\/p\u003e\n\u003cp\u003eCreated in close collaboration with Koons, this elegant publication echoes the classic design of a 1970 Picasso catalogue that the artist admires. Inside, vivid color plates of the sculptures in situ capture the stark contrast between the pristine whiteness of the plaster and the highly reflective spheres. In their perfect contours and smooth, glistening surfaces, the gazing balls implicate audience as well as context—mirroring both and offering playful yet powerful meditations on the dialogue between gaze and reflection. “While all of the sculptures are grounded in their own distinct narratives, derived from Art History and suburban towns,” writes Francesco Bonami in his catalogue essay, “the seemingly fragile and delicate gazing ball establishes that sense of uncertain equilibrium that exists between history and fantasy, magic and materiality, mass culture and exclusive beauty.”\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36842711646369,"sku":"9780989980913","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2014KoonsGazingBall_0004-v.jpg?v=1756816958"},{"product_id":"no-problem-colognenew-york-19841989","title":"No Problem: Cologne\/New York 1984–1989","description":"\u003cp\u003eIn the words of Peter Schjeldahl, writing in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe New Yorker\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eabout the exhibition\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNo Problem: Cologne\/New York 1984–1989\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eat David Zwirner in New York, “the show’s cast of artists amounts to a retrospective shopping list of what would matter and endure in art of the era.” With an eye to canonizing that moment, this seminal publication examines the latter half of the 1980s through the lens of international art scenes that were based in Cologne—arguably the European center of the contemporary art world at that time—and New York.\u003c\/p\u003e\n\u003cp\u003eWhile a number of established Cologne-based gallerists, including Karsten Greve, Paul Maenz, Rolf Ricke, Michael Werner, and Rudolf Zwirner, had already begun shaping the European reception of American art in the previous decade, the 1980s marked a period during which art being produced in and around Cologne gained international attention. A burgeoning gallery scene supported the emerging work of artists based in the region, with gallerists such as Gisela Capitain, Rafael Jablonka, Max Hetzler, and Monika Spru¨th showing artists such as Walter Dahn, Martin Kippenberger, Albert Oehlen, Rosemarie Trockel, and others. The works of these German artists were exhibited along with the latest contemporary art from the US by artists like Robert Gober, Jeff Koons, Richard Prince, Cindy Sherman, and Christopher Wool. Conversely, the works of German artists were presented in New York, with breakout exhibitions at galleries such as Barbara Gladstone, Metro Pictures, Luhring, Augustine \u0026amp; Hodes, and other significant venues. 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Beyond its stunning visual components, the book features crucial new scholarship by Diedrich Diederichsen and Bob Nickas, and an illustrated chronology of the decade by Kara Carmack. The book also includes an arsenal of compelling archival material, from documentary photographs from the period to reproductions of Cologne’s culture magazine Spex. 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His works on paper—which span three-dimensional reliefs, calligraphy, and notebook entries—capture the interdisciplinary spirit that defined the art world in the 1970s. Intricate and concise, they testify to his interest in the crossovers between visual and performance arts, as well as the broader integration within his oeuvre of the natural and built environment.\u003c\/p\u003e\n\u003cp\u003eDocumenting the artist’s extraordinary accomplishments as a draftsman, this publication originates from the 2015 solo presentation at David Zwirner, New York, entitled\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eEnergy \u0026amp; Abstraction\u003c\/i\u003e, organized in close collaboration with Jane Crawford and Jessamyn Fiore from the Estate of Gordon Matta-Clark. 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Abstract letters make up a code that remains indecipherable, but points toward a visionary longing to invent new languages and structures of experience. Some of the most elaborate and colorful compositions include trees, several of which refer explicitly to Matta-Clark’s\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTree Dance\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eperformance at Vassar College in upstate New York in 1971. In full-color plates, the reader can see the physical structure of his trees “dissolving” into kinetic energy and, in some drawings, becoming reduced to a multitude of arrows. Near-abstract tree shapes also incorporate his calligraphic marks, with branches constructed from imaginary letters, again emphasizing the importance of language to a new visual experience. Matta-Clark’s notebooks, which he often insisted on completing in a single sitting, are presented in elegantly curated groups. Combining elements of Surrealist automatic drawing with an interest in choreography, these works appealed to performance artists at the time—including Laurie Anderson and Trisha Brown. This unparalleled presentation of Matta-Clark’s drawings is accompanied by new and exciting scholarship by Briony Fer, as well as a conversation between Jessamyn Fiore and contemporary artist Sarah Sze; it marks a major contribution to the literature on this highly influential artist\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36842797858977,"sku":"9781941701256","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2016Matta-ClarkBeginningofTrees_0006-v.jpg?v=1756817013"},{"product_id":"john-mccracken-works-from-19632011","title":"John McCracken: Works from 1963–2011","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMy works are minimal and reduced, but also maximal. I try to make them concise, clear statements in three-dimensional form, and also to take them to a breathtaking level of beauty.\u003cbr\u003e\u003c\/em\u003e-John McCracken\u003c\/p\u003e\n\u003cp\u003eJohn McCracken occupies a singular position within the recent history of American art, as his work melds the restrained formal qualities of Minimalist sculpture with a distinctly West Coast sensibility expressed through color, form, and finish. He developed his early sculptural work while studying painting at the California College of Arts and Crafts in Oakland in the late 1950s and early 1960s. While experimenting with increasingly three-dimensional canvases, the artist began to produce objects made with industrial materials, including plywood, sprayed lacquer and pigmented resin, creating the highly reflective, smooth surfaces that he was to become known for.\u003c\/p\u003e\n\u003cp\u003ePublished on the occasion of the comprehensive presentation of McCracken's work at David Zwirner, New York in 2013, this catalogue charts the evolution of the artist's diverse oeuvre, encompassing both well-known and lesser-seen examples of his production from the early 1960s up through his death in 2011 with a range of sculptures, paintings, and sketches. Featuring new scholarship by art historian Robin Clark, it includes reproductions of fascinating archival and documentary material that was discovered during the curatorial process, from the artist’s sketches to gallery invitation cards, early catalogue covers, historic photographs, as well as installation views of the exhibition.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36842806214817,"sku":"9781934435755","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2014McCrackenWorks_0004-v.jpg?v=1756817223"},{"product_id":"oscar-murillo-frequencies","title":"Oscar Murillo: Frequencies","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eKnown for his large-scale paintings, Oscar Murillo's expanding practice, which includes performance, sculpture, installation, and video, has helped define him as one of the most dynamic artists of his generation. Local in his interest in community and family, but global in his approach to art making, Murillo's creative explorations present us with some of the most pressing questions facing us today: how do communities define themselves, and how can a single individual—an artist—help facilitate communication between them and the larger world?\u003c\/p\u003e\n\u003cp\u003eInitiated by Murillo in 2013, \u003cem\u003e\u003ca href=\"http:\/\/frequenciesproject.net\/#\/\" target=\"_blank\"\u003eFrequencies\u003c\/a\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a long-term project, \u003cspan\u003edeveloped with members of his family, studio team, and collaborators around the world, that begins\u003c\/span\u003e to offer answers to these questions through painting and drawing. In 2013, Murillo began sending squares of raw canvas to selected schools in over twenty countries around the world, with the sole requirement that they be affixed to desks and illustrated by students. The canvases would stay there for a year and then be re-collected by the artist. Within weeks of their arrival, children from places as disparate as China and Slovenia began to draw, paint, write, and communicate, creating documents of their social and educational experiences.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFrequencies\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecatalogues the first year of Murillo\\s exploration, with intimate photographs of the participants and the projects myriad steps—the arrival of canvases to different schools, the process of wrapping desks, the students at work, and the final products. Designed by OMO Creates in close collaboration with the artist, the book not only brings together a vast amount of material now collected in the eponymous archive, with over six hundred pages of detailed spreads, but is itself an extension of the project—an ongoing catalogue that charts the creation of artworks as a communal and global endeavor.\u003c\/p\u003e","brand":"David Zwirner Books","offers":[{"title":"Default Title","offer_id":36842811031713,"sku":"9781941701225","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2015MurilloFrequencies_0003-v.jpg?v=1756817140"},{"product_id":"chris-ofili-devils-pie","title":"Chris Ofili: Devil's Pie","description":"\u003cdiv class=\"my-[3.75rem]\"\u003e\n\u003cdiv class=\"[\u0026amp;\u0026gt;p]:mb-5 last:[\u0026amp;\u0026gt;p]:mb-0\" data-testid=\"portable-text-block\"\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eFew artists's names can connote such diverse associations as the Virgin Mary, Rudolph Giuliani and elephant dung. Controversy tends to dog the art of Chris Ofili, and former New York Mayor Giuliani's suspension of funding for the Brooklyn Museum upon its exhibition of his 1996 painting\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Holy Virgin Mary\u003c\/em\u003e in 1999 was but one instance of the ire Ofili routinely arouses. When these occasional media commotions subside, one sees that the work is actually pleasing in more familiar ways: Ofili's surfaces sparkle with smears of glitter and bright veneer, resembling nothing so much as African icons. But Ofili has always been political, specifically in his confrontations with racial cliché, and in his insistent incorporation of materials from popular black culture. \u003cem\u003eDevil's Pie\u003c\/em\u003e derives its title from singer-songwriter D'Angelo's 1998 lyric meditation on temptation and retribution. According to the song, the ingredients of a devil's pie include \"materialistic, greed and lust, jealousy, envious \/ bread and dough, cheddar cheese, flash and stash, cash and cream.\" Similarly diverse in its references and dichotomies, Ofili's work contains contradictions. This catalogue collects his work in sculpture, painting, printmaking, and graphite drawing for the first time and includes texts by art writer and curator Klaus Kertess and writer Cameron Shaw.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"David Zwirner Books","offers":[{"title":"Default Title","offer_id":36842846552225,"sku":"9783865216298","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/OfiliDevil_sPie.png?v=1756816773"},{"product_id":"palermo-works-on-paper","title":"Palermo: Works On Paper","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eDescribed by\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe New York Times\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eart critic Roberta Smith as a “precocious art star,” German artist (Blinky) Palermo (1943–1977) has been associated with distinct twentieth-century art practices, from abstraction to Minimalism and Conceptual art. But his diverse body of work in fact defies easy classification. Throughout his brief and influential career—leading all the way up to his untimely death at the age of 33—Palermo executed paintings, objects, installations, and works on paper that mined various contextual and semantic issues at stake in the construction, exhibition, and reception of works of art, eternally “stretching and questioning” the boundaries of every medium he touched. \u003c\/p\u003e\n\u003cp\u003eThis fully illustrated catalogue features new scholarship by Christine Mehring and Christoph Schreier and documents the 2013 exhibition at David Zwirner in New York. It is the first publication to tackle Palermo’s late work, which is characterized by explorations of the tensions between material and color, surface and depth, and figuration and abstraction—focusing in particular on the paper works he produced between 1976 and 1977, the last year of his life. “Less a system builder than an analyst working on intuition,” writes Schreier in his catalogue essay, Palermo “explored surface, shape, and color—the constituent elements of the image—with the aim of turning them into actors with a lively and delicately balanced play of forces.” The simplicity of the artist’s vision is beautifully evinced by the catalogue’s vibrant color plates, which reveal every stroke and each grain of paper shining through from behind the pigment\u003c\/p\u003e","brand":"David Zwirner Books","offers":[{"title":"Default Title","offer_id":36842883612833,"sku":"9781934435748","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2014Palermo_0002-v.jpg?v=1756816955"},{"product_id":"raymond-pettibon-homo-americanus","title":"Raymond Pettibon: Homo Americanus","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003ePhilosophically profound, deeply literary and biting in his satire, Raymond Pettibon is the foremost draftsman of his generation, and one of America’s most important contemporary artists. Approaching “high” and “low” subject matter with equal appetite and comfort, Pettibon plumbs the depths of American sexuality, politics, subcultures, mores, and intellectual histories through themes ranging from Shakespeare to Gumby, surfers to the Bible, baseball to German Romanticism. \u003c\/p\u003e\n\u003cp\u003ePublished on the occasion of his major European traveling retrospective at the Deichtorhallen Hamburg – Sammlung Falckenberg,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRaymond Pettibon: Homo Americanus\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003epresents over six hundred works from every part of the artist’s career, the majority of which have never been shown before. Arranged thematically in thirty-two chapters, this unique catalogue charts the appearance and development of the themes that have come to define Pettibon’s expansive oeuvre. Different sections are introduced with excerpts from interviews conducted with the artist, and are further discussed in a detailed appendix by curator Ulrich Loock. Beyond shedding valuable light on the genesis and cross-pollination of Pettibon’s thematic interests, this catalogue is the first to tackle the artist’s work as a whole—as a kind of hive mind of American culture whose various branches constantly address and reinterpret one another. Of particular interest are Pettibon’s own readings of individual works in the book. In excerpts paired with corresponding images, Pettibon guides readers through his complex, often meandering turns of thought; never condescending, they invite readers to enter more deeply into his thinking without sacrificing the intellectual rigor and sense of mystery that makes Pettibon’s work so compelling and challenging. The book includes a complete facsimile of his first artists’ book,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCaptive Chains\u003c\/em\u003e—almost entirely unavailable for decades—in addition to numerous early drawings completed with his nephew, record covers, flyers, and sections dedicated to collages and drawings from the 1980s to today. Also featured are biographical notes compiled by Lucas Zwirner, offering a nuanced, insightful reading of Pettibon’s history, whose early life and work is often simplified and categorically tied to punk rock, and instead underscores the complexities surrounding the artist’s long-standing relationship with art, literature, and American culture. This unparalleled selection of Pettibon’s work is the definitive single volume for novices and experts alike.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36842886365345,"sku":"9781941701263","price":70.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2016PettibonHomoAmericanus_0005c-v.jpg?v=1756817171"},{"product_id":"raymond-pettibon-to-wit","title":"Raymond Pettibon: To Wit","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eIn the summer of 2013, Raymond Pettibon took over one of David Zwirner’s gallery spaces in New York, transforming the high-ceilinged, garage-like white cube into his studio in order to prepare a show of drawings and collages within—and sometimes directly on—its walls. Titled\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTo Wit\u003c\/i\u003e, evoking the Middle English expression that has come to express a certain formality today and is defined as “namely,” or “that is to say,” the exhibition gave new meaning to the term “site specific,” featuring vibrant, gestural works Pettibon created in conversation with his surroundings that operated as a sort of archive, both product and record of his relationship to that space and time. Unified by their bold, vivid lines and unconventional framing, they feature allusions to a wide spectrum of American “high” and “low” culture, from violence, humor, and sex to literature, youth, art history, and sports—embodying the artist’s signature mix of social and political commentary, diary entry, and automatic drawing. \u003c\/p\u003e\n\u003cp\u003eThis publication, presenting large color plates of the works created over that summer by Pettibon, who also produced an original drawing for its sturdy cardboard cover, explores the intricate relationship between image and language that has long fascinated the artist. Just as the works in the exhibition existed at once as art and document, so too does the book itself have the hefty, physical presence of a work of art. Extensive installation views capture the dynamic combination of visual imagery and text that has come to characterize Pettibon’s practice, and a selection of gritty black-and-white photographs by Andreas Laszlo Konrath offers an intimate glimpse into the artist’s working process. Context is provided by Lucas Zwirner, who accompanied the artist throughout this period and contributed the book’s essay, “A Month with Raymond.” As Zwirner describes it, the show functioned “as an essayistic whole held together by imaginative leaps and subtle connections which Raymond has left unexplained and uninterpreted.” That perspective is rounded out in an interview with the artist by Kim Gordon, a visual artist and musician, who first encountered Pettibon’s work in the early 1980s in Los Angeles.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36842895933601,"sku":"9780989980944","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2014PettibonToWit_0003-v.jpg?v=1756816850"},{"product_id":"neo-rauch-at-the-well","title":"Neo Rauch: At the Well","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe richly textured, seductive paintings of German artist Neo Rauch are marked by a “distinctive Pop-Surrealist-Social Realist style,” as described by\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe New York Times\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eart critic Roberta Smith in 2002. 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This oversized catalogue—designed in close collaboration with the artist—is anchored by sixteen stunning plates and numerous 1:1 details that bring to life, and give viewers intimate access to, these compelling compositions. Themes of rebirth and new beginnings abound: Rauch consistently creates characters who appear to be in the process of transformation, literally on the brink of renaissance. These figures, though squarely centered in his paintings, often have the appearance of being part of still lifes: collaged, anachronistic elements belonging to different time zones and eras offer a contemporary take on the storied tradition of visual and psychological pastiche. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAt the Well\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efeatures an illuminating essay by art historian and curator Sir Norman Rosenthal, who presents a careful reading of Rauch’s new work, including its relationship to fairy tales; the influence of the German Democratic Republic on his development as an artist in the 1980s; and the overarching sense of alienation that is present within his narratives. The book also includes a reprint of the classic Brothers Grimm fairy tale “The Young Giant,” specifically chosen by Rosenthal to further expand his analysis.\u003c\/p\u003e","brand":"David Zwirner Books","offers":[{"title":"Default Title","offer_id":36842905338017,"sku":"9781941701119","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/products\/neo-rauch_at-the-well.jpg?v=1756816953"},{"product_id":"neo-rauch-renegaten","title":"Neo Rauch: Renegaten","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNeo Rauch: Renegaten\u003c\/em\u003e\u003cspan\u003e was published on the occasion of the artist’s third solo exhibition at David Zwirner in 2005. The exhibition presented ten large-scale canvases with an odd assortment of workers, students, military men, and other characters, against backdrops of mundane architecture, industrial settings, or bizarre and often barren landscapes. Also included is a text by Christine Mehring, writer and Professor of Art History at the University of Chicago.\u003c\/span\u003e\u003c\/p\u003e","brand":"David Zwirner Books","offers":[{"title":"Default Title","offer_id":36843334500513,"sku":"9780976913603","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/SHOPIFYFRAME_72a2b76c-d719-456d-9282-62a175c10ddb.png?v=1776452246"},{"product_id":"anni-albers-camino-real","title":"Anni Albers: Camino Real","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe first in-depth study of a monumental wall hanging—rediscovered after many years—by renowned Bauhaus artist Anni Albers. Albers was influential in elevating textiles from craft to fine art. Her exquisite wall hanging Camino Real—seen for the first time outside of Mexico City at David Zwirner, New York, in 2019, and the subject of this book—is a superb example of this modern master’s work. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eIn 1967, noted architects Ricardo Legorreta and Luis Barragán commissioned Albers to create a work for the newly built Hotel Camino Real in Mexico City. Completed in 1968, her striking wall hanging Camino Real is heavily influenced by Latin American art and culture. Showcasing Albers’s approach to working with textiles as a “many-sided practice,” it is accompanied in this book by works Albers made following her move to the United States in 1933, including innovative wall hangings, weavings, and a range of works on paper. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eTogether, these works reflect Albers’s brilliant embrace of different materials and techniques and her ability to work at varied scales. The works in this publication offer additional context and motifs, demonstrating the artist’s pioneering investment in textiles as an art form and her parallel interest in mass-produced designs. 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The monograph is published on the occasion of the 2020 exhibition at David Zwirner, New York, which travels to the Underground Museum in Los Angeles, a space that Davis founded with his wife, artist Karon Davis. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIn her introduction, catalogue essay, and interviews with important figures in Davis’s life, curator Helen Molesworth shows how the artist’s generosity and sense of responsibility galvanized a uniquely supportive artistic community, culture, and vision. Through color illustrations and archival photographs, the book captures the intimate yet expansive spirit of a studio visit with the artist.\u003cbr\u003e\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843458134177,"sku":"9781644230374","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2020Davis_0002-v.jpg?v=1756817220"},{"product_id":"two-cities","title":"Two Cities","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003eFrom acclaimed poet and New Yorker writer Cynthia Zarin comes a deeply personal meditation on two cities, Venice and Rome—each a work of art, both a monument to the past—and on how love and loss shape places and spaces. Here we encounter a writer deeply engaged with narrative in situ—a traveler moving through beloved streets, sometimes accompanied, sometimes solo. As a poet first and foremost, Zarin’s attention to the smallest details, the loveliest gesture, brings Venice and Rome vividly to life for the reader. The sixteenth book in the expanding, renowned ekphrasis series, Two Cities creates space for these two historic cities to become characters themselves, their relationship to the writer as real as any love affair.\u003c\/span\u003e\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843539792033,"sku":"9781644230312","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2020TwoCities_0001.png?v=1756816441"},{"product_id":"a-balthus-notebook","title":"A Balthus Notebook","description":"\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eIn his 1989 book on Balthus—the storied and controversial artist who worked in Paris throughout the twentieth century—Guy Davenport gives one of the most nuanced, literary, and compelling readings of the work of this master. 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For Davenport, the answer is clear: Balthus may indeed show us periods in adolescent development that are uncomfortable to view, but the eroticization exists primarily on the part of the viewer.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eArguing that Balthus’s figures are erotic only if we make them so, and that their innocence is more present than anything pornographic in them, Davenport posits that the paintings hold up a mirror to our own perversities and force us, difficultly, to confront them. He writes, “The nearer an artist works to the erotic politics of his own culture, the more he gets its concerned attention. Gauguin’s naked Polynesian girls, brown and remote, escape the scandal of Balthus’s, although a Martian observer would not see the distinction.” Davenport’s critique helps us understand Balthus in our times—something we need more than ever as we crucially confront sexual politics in visual art.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843541299361,"sku":"9781644230329","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2020Balthus_0001.png?v=1756816438"},{"product_id":"on-contemporary-art","title":"On Contemporary Art","description":"\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eTranslated into English for the first time,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eOn Contemporary Art\u003c\/em\u003e, a speech by the renowned novelist César Aira, was delivered at a 2010 colloquium in Madrid dedicated to bridging the gap between writing and the visual arts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eOn Aira’s dizzying and dazzling path, everything comes under question—from reproducibility of artworks to the value of the written word itself. In the end, Aira leaves us stranded on the bridge between writing and art that he set out to construct in the first place, flailing as we try to make sense of where we stand. Aira’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eOn Contemporary Art\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eexemplifies what the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eekphrasis\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eseries is dedicated to doing—exploring the space in which words give meaning to objects, and objects shape our words.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eLike the great writers Walter Benjamin and Hermann Broch before him, Aira operates in the space between fiction and essay writing, art and analysis. Pursuing questions about reproducibility, art making, and limits of language, Aira’s unique voice adds new insights to the essential conversations that continue to inform our understanding of art.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843568955553,"sku":"9781941701867","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2018Aira_0006-v.jpg?v=1756816435"},{"product_id":"duchamps-last-day","title":"Duchamp's Last Day","description":"\u003cdiv class=\"my-[3.75rem]\"\u003e\n\u003cdiv data-testid=\"portable-text-block\" class=\"[\u0026amp;\u0026gt;p]:mb-5 last:[\u0026amp;\u0026gt;p]:mb-0\" style=\"--tw-ring-color: rgba(59,130,246,.5); --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid rgb(229, 231, 235); box-sizing: border-box; scrollbar-color: auto; scrollbar-width: auto;\"\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003ePublished on the fiftieth anniversary of Marcel Duchamp’s death,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDuchamp’s Last Day\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eoffers a radical reading of the artist’s final hours.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eJust moments after Duchamp died, his closest friend Man Ray took a photograph of him. His face is wan; his eyes are closed; he appears calm. Taking this image as a point of departure, Donald Shambroom begins to examine the surrounding context—the dinner with Man Ray and another friend, Robert Lebel, the night Duchamp died, the conversations about his own death at that dinner and elsewhere, and the larger question of whether this radical artist’s death can be read as an extension of his work.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eShambroom’s in-depth research into this final night, and his analysis of the photograph, feeds into larger questions about the very nature of artworks and authorship which Duchamp raised in his lifetime. In the case of this mysterious and once long-lost photograph, who is the author? Man Ray or Duchamp? Is it an artwork or merely a record? Has the artist himself turned into one of his own readymades?\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eA fascinating essay that is both intimate and steeped in art history,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDuchamp’s Last Day\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis filled with intricate details from decades of research into this peculiar encounter between art, life, and death. Shambroom’s book is a wonderful study of one of the greatest artists of the twentieth century.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843572527265,"sku":"9781941701874","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2018Shambroom_0011-v.jpg?v=1756816432"},{"product_id":"chris-ofili-paradise-lost","title":"Chris Ofili: Paradise Lost","description":"In 2017, Chris Ofili photographed chain-link fences throughout the island of Trinidad in order to explore notions of beauty, community, liberation, and constraint. This series of arresting images—“pocket photography,” as described by the artist—is the first body of photography ever published by Ofili. Through these entrancing black-and-white photographs, the artist engages with the diverse sources that inspired his critically acclaimed Paradise Lost exhibition at David Zwirner, New York, in the fall of 2017. This title features a t\u003cspan data-mce-fragment=\"1\"\u003eext by Joshua Jelly-Schapiro\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843603787937,"sku":"9781941701829","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2018OfiliParadiseLost_0006-v.jpg?v=1756816702"},{"product_id":"what-it-means-to-write-about-art-interviews-with-art-critics","title":"What it Means to Write About Art: Interviews with art critics","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe most comprehensive portrait of art criticism ever assembled, as told by the leading writers of our time. In the last fifty years, art criticism has flourished as never before. Moving from niche to mainstream, it is now widely taught at universities, practiced in newspapers, magazines, and online, and has become the subject of debate by readers, writers, and artists worldwide. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eEqual parts oral history and analysis of craft, What It Means to Write About Art offers an unprecedented overview of American art writing. These thirty in-depth conversations chart the role of the critic as it has evolved from the 1960s to today, providing an invaluable resource for aspiring artists and writers alike. John Ashbery recalls finding Rimbaud’s poetry through his first gay crush at sixteen; Rosalind Krauss remembers stealing the design of October from Massimo Vignelli; Paul Chaat Smith details his early days with Jimmy Durham in the American Indian Movement; Dave Hickey talks about writing country songs with Waylon Jennings; Michele Wallace relives her late-night and early-morning interviews with James Baldwin; Lucy Lippard describes confronting Clement Greenberg at a lecture; Eileen Myles asserts her belief that her negative review incited the Women’s Action Coalition; and Fred Moten recounts falling in love with Renoir while at Harvard. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eJarrett Earnest’s wide-ranging conversations with critics, historians, journalists, novelists, poets, and theorists—each of whom approach the subject from unique positions—illustrate different ways of writing, thinking, and looking at art. Interviews with Hilton Als, John Ashbery, Bill Berkson, Yve-Alain Bois, Huey Copeland, Holland Cotter, Douglas Crimp, Darby English, Hal Foster, Michael Fried, Thyrza Nichols Goodeve, Dave Hickey, Siri Hustvedt, Kellie Jones, Chris Kraus, Rosalind Krauss, Lucy Lippard, Fred Moten, Eileen Myles, Molly Nesbit, Jed Perl, Barbara Rose, Jerry Saltz, Peter Schjeldahl, Barry Schwabsky, Paul Chaat Smith, Roberta Smith, Lynne Tillman, Michele Wallace, and John Yau.\u003c\/span\u003e\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843612962977,"sku":"9781941701898","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2018WhatitMeans_0007-v.jpg?v=1756816533"},{"product_id":"wolfgang-tillmans-dzhk-book-2018","title":"Wolfgang Tillmans: DZHK Book 2018","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePresenting recent developments in Wolfgang Tillmans’s portraiture and still lifes,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eWolfgang Tillmans: DZHK Book 2018\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efeatures a broad selection of new and recent works that respond to their surroundings while at the same time embodying a self-contained environment.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFew artists have shaped the scope of contemporary art and influenced a younger generation more than Wolfgang Tillmans. Since the early 1990s, his works have epitomized a new kind of subjectivity in photography, pairing intimacy and playfulness with social critique and the persistent questioning of existing values and hierarchies. Through his seamless integration of genres, subjects, techniques, and exhibition strategies, he has expanded conventional ways of approaching the medium, and his practice continues to address the fundamental question of what it means to create pictures in an increasingly image-saturated world. \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePublished on the occasion of Tillmans’s exhibition at David Zwirner in Hong Kong in 2018, this fully bilingual catalogue juxtaposes pictures of intimacy and friendship with views and angles of the world at large. An aerial view of the Sahara desert displays almost infinite detail while being monochromatic and near-abstract in appearance. In line with Tillmans’s interest in exhibitions as amplifiers of a particular, underlying perspective, each of the works engages in an intricate system of relationships between its aesthetic elements, subject, and institutional setting. Seen together, they implicate the viewer as an active part of the dialogue. The 2016 interview with author Allie Biswas of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Brooklyn Rail\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ehas been edited and expanded by the artist for this catalogue.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843617616033,"sku":"9781941701942","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2018Tillmans_0003-v_c8607692-a299-44fe-abe2-1f3462da7d3a.jpg?v=1756816700"},{"product_id":"luc-tuymans-catalogue-raisonne-of-paintings-volume-3","title":"Luc Tuymans Catalogue Raisonne of Paintings: Volume 3","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe third volume of a catalogue raisonné of Luc Tuymans’s paintings, surveying nearly two hundred works, charts the artist’s investigation into painting’s relationship to history and technology.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr aria-hidden=\"true\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr aria-hidden=\"true\"\u003e\u003cspan\u003eTuymans is widely credited with having contributed to the revival of painting in the 1990s. His sparsely colored, figurative works speak in a quiet, restrained, and at times unsettling voice and are typically painted from preexisting imagery that includes photographs and video stills. The works in this volume, made between 2007 to 2018, show Tuymans at his most virtuosic, subtly but provocatively addressing a range of topics including religion, corporatization, and cultural memory, in addition to modernism and the history of painting. The Internet, in particular, is central to these works as well as the screen—leading to a new style of contemporary image. The works are mediatized to the nth degree, despite the artist’s continuous use of the traditional medium of painting. There is a certain kind of light that comes out of a screen, which can be found in Tuymans’s recent paintings.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr aria-hidden=\"true\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr aria-hidden=\"true\"\u003e\u003cspan\u003eThis volume includes an editor’s note by Eva Meyer-Hermann and an illustrated chronology with archival images and installation views of the featured works. It also presents brilliant color reproductions of each painting from this period. This publication is a testament to Tuymans’s persistent assertion of the relevance and importance of painting—a conviction that he maintains even in today’s digital world, when his work continues to be a touchstone for artists and scholars.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843619811489,"sku":"9781644230138","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2019TuymansCRV3_0004-v.jpg?v=1756817343"},{"product_id":"luc-tuymans-catalogue-raisonne-of-paintings-volume-2","title":"Luc Tuymans Catalogue Raisonne of Paintings: Volume 2","description":"\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eOver the course of four decades, Belgian painter Luc Tuymans has created his own distinctive vernacular, a new visual vocabulary. The second volume in a catalogue raisonné of Tuymans’s paintings surveys nearly two hundred works, including some of his most iconic canvases.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eBetween the years 1995 and 2006, Tuymans’s work trended toward ideas of national and collective memory. In 1996, the artist created a group of ten paintings entitled\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Heritage\u003c\/em\u003e, for which he transformed familiar images of American life, such as Mount Rushmore, baseball caps, and the United States flag, into unsettling visions, addressing the country’s perceived vulnerability, both physical and psychological, following the 1995 Oklahoma City bombing. Paintings from\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMwana Kitoko: Beautiful White Man\u003c\/em\u003e, his seminal body of work that was first shown at David Zwirner, New York, in 2000, after which he expanded the series for his presentation for the Belgian Pavilion at the Venice Biennale in 2001, depict imagery derived from the fraught history of Belgian colonial rule of the Democratic Republic of the Congo. Also included is one of Tuymans’s best-known paintings,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Secretary of State\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2005), a powerful yet seemingly vulnerable portrayal of Condoleezza Rice, which conjures the long history of racial and sexual prejudice in the United States, not as something that has been overcome, but as an active force shaping our reality.\u003c\/p\u003e\n\u003cdiv class=\"h-5\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eThis volume includes an editor’s note by Eva Meyer-Hermann and an illustrated chronology with archival images and installation views of the featured works. It also presents brilliant color reproductions of each painting from this period. This publication is a testament to Tuymans’s persistent assertion of the relevance and importance of painting—a conviction that he maintains even in today’s digital world, when his work continues to be a touchstone for artists and scholars.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843622432929,"sku":"9781941701959","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2018TuymansCRV2_0005-v.jpg?v=1756817341"},{"product_id":"joan-mitchell-i-carry-my-landscapes-around-with-me","title":"Joan Mitchell: I carry my landscapes around with me","description":"\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003e\u003cem\u003eI carry my landscapes around with me\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efocuses on American abstract artist Joan Mitchell’s large-scale multipanel works from the 1960s through the 1990s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eMitchell’s exploration of the possibilities afforded by combining two to five large canvases allowed her to simultaneously create continuity and rupture, while opening up a panoramic expanse referencing landscapes or the memory of landscapes.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eMitchell established a singular approach to abstraction over the course of her career. Her inventive reinterpretation of the traditional figure- ground relationship and synesthetic use of color set her apart from her peers, resulting in intuitively constructed and emotionally charged compositions that alternately evoke individuals, observations, places, and points in time. Art critic John Yau lauded her paintings as “one of the towering achievements of the postwar period.”\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003ePublished on the occasion of the eponymous exhibition at David Zwirner New York in 2019, this book offers a unique opportunity to explore the range of scale and formal experimentation of this innovative area of Mitchell’s extensive body of work. It not only features reproductions of each painting in this selection as a whole, but also numerous details that allow an intimate understanding of the surface texture and brushwork. In the complementing essays, Suzanne Hudson examines boundaries, borders, and edges in Mitchell’s multipanel paintings, beginning with her first work of this kind,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Bridge\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1956), considering them as both physical and conceptual objects; Robert Slifkin discusses the dynamics of repetition and energy in the artist’s paintings, in relation to works by Monet and Willem de Kooning, among others.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843629248673,"sku":"9781644230282","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2023Mitchell_002-v.jpg?v=1756817087"},{"product_id":"rose-wylie-painting-a-noun-english","title":"Rose Wylie: painting a noun... (English)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eCelebrated British painter Rose Wylie—whose works are at once tactile, cerebral, and humorous—often draws her influence from a wide range of popular culture. Here her newest body of work references memories from her own life and mimics the way memories evolve and change over time.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWylie’s source material is culled from the vast visual world around her, ranging from sixteenth-century British estates to Serena Williams and the French Open. While initially these may seem random or aesthetically simplistic, through the nuanced use of humor, language, and compositional structure, Wylie creates wittily observed and subtly sophisticated meditations on the nature of memory, and visual representation itself, in line with the paintings she has become known for over the course of her career.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA new essay by art critic Michael Glover explores the remarkable painter whose work has “spark, assurance, brash humor, an extraordinary, freewheeling eclecticism that seems to be just as ready to suck in references to the art of Ptolemaic Egypt and Roman portraiture as to pay homage to the films of Quentin Tarantino and the late paintings of Philip Guston.” Part of David Zwirner Books’s\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eSpotlight Series\u003c\/i\u003e, this book features Wylie’s newest paintings and drawings and is published on the occasion of the artist’s 2020 solo exhibition of these works at David Zwirner Hong Kong.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843634426017,"sku":"9781644230299","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2020WylieHKEng_0002-v.jpg?v=1756816697"},{"product_id":"carol-bove-ten-hours","title":"Carol Bove: Ten Hours","description":"\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003e\u003cem\u003eCarol Bove: Ten Hours\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003epresents new work by “sculpture’s woman of steel,” as coined by Randy Kennedy in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe New York Times\u003c\/em\u003e. Her new sculptures expand on her investigations of materiality and form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eCharacterized by compositions of various types of steel, Bove’s ongoing series of “collage sculptures,” begun in 2016, amalgamates theoretical and art-historical influences across time periods and disciplines. To create these lyrical and abstract assemblages, Bove pairs fabricated tubing that has been crushed and shaped at her studio with found metal scraps and a single highly polished disk. Luminous color is applied to parts of the composition, transforming the steel—more commonly associated with inflexibility and heft—into something that appears malleable and lightweight, like clay, fabric, or crinkled paper.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eBove’s new works are smaller in scale and elaborate on the “collage sculptures,” with more complex forms that twist, fold, and bend into postures that belie their material construction. She manipulates steel to varying degrees, rendering gentle folds in some, and extreme, almost anthropomorphic contortions in others. Their contrasting textures—matte, glossy, or rough—create a further sense of visual play, heightening the surface tension throughout.\u003c\/p\u003e\n\u003cdiv class=\"h-5\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eThis publication features a new interview with the artist by Johanna Burton. Published on the occasion of the artist’s solo exhibition at David Zwirner, Hong Kong, in 2019,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCarol Bove: Ten Hours\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis available in both English-only and\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.davidzwirnerbooks.com\/product\/carol-bove-ten-hours-bilingual\" class=\"transition-text-decoration duration-300 ease-in decoration-1 cursor-pointer underline decoration-black-40 hover:decoration-black-60 focus:decoration-black-60 underline-offset-[0.375rem]\" role=\"link\" rel=\"noopener noreferrer\" target=\"_self\"\u003ebilingual\u003c\/a\u003e English\/traditional Chinese editions.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843637276833,"sku":"9781644230206","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2019BoveHKEng_0003-v.jpg?v=1756816695"},{"product_id":"doug-wheeler","title":"Doug Wheeler","description":"\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eOver five decades, Doug Wheeler has pioneered the art of light and space. His work powerfully explores the way we perceive “empty” space—the way light can affect our perception and make emptiness feel full and dense. From his early experiences flying across the desert with his father, a doctor in Globe, Arizona, Wheeler developed a passion for the intensity and stillness of vast expanses, seeing in them a whole new set of possibilities for visual art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eAlthough Wheeler began his career as a painter, his wall-mounted artworks soon began incorporating light as a medium and quickly gave way to an unprecedented art-historical breakthrough: his construction of an absolute light environment, crafted in his studio in 1967. Since that unparalleled moment, Wheeler’s work has been exhibited widely all over the world; in the past decade, with numerous major gallery and museum installations, his reputation as the definitive light and space artist has been solidified.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eThis volume, featuring new scholarship by renowned art historian Germano Celant, traces the entire course of Wheeler’s career to date, from his first mature paintings to his immersive installations. Writing on Wheeler’s intense and direct engagement with the absoluteness in the optical fields he creates, Celant provides a detailed account for Wheeler’s development as one of the most original and influential artists of his generation. Wheeler’s work not only changes how we encounter reality after we see it, but also how we envision what is possible more broadly in visual art.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843691704481,"sku":"9781941701249","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2020Wheeler_0009-v.jpg?v=1756817215"},{"product_id":"the-young-and-evil","title":"The Young and Evil","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eLauded by Jerry Saltz as “one of the most reactionary yet radical visions of art,”\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Young and Evil\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003etells the story of a group of artists and writers active during the first half of the twentieth century, when homosexuality was as problematic for American culture as figuration was for modernist painting.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThese artists—including Paul Cadmus, Fidelma Cadmus Kirstein, Charles Henri Ford, Jared French, Margaret Hoening French, George Platt Lynes, Bernard Perlin, Pavel Tchelitchew, George Tooker, Alexander Jensen Yow, and their circle—were new social creatures, playfully and boldly homosexual at a time when it was both criminalized and pathologized. They pursued a modernism of the body—driven by eroticism and bounded by intimacy, forming a hothouse world within a world that doesn’t nicely fit any subsequent narrative of modern American art. In their work, they looked away from abstraction toward older sources and models—classical and archaic forms of figuration and Renaissance techniques. What might be seen as a reactionary aesthetic maneuver was made in the service of radical content—endeavoring to depict their own lives. Their little-known history is presented here through never- before-exhibited photographs, sculptures, drawings, ephemera, and rarely seen major paintings—offering the first view of its kind into their interwoven intellectual, artistic, and personal lives.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e Edited by Jarrett Earnest, who also curated the 2019 exhibition at David Zwirner New York,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Young and Evil\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003efeatures new scholarship by art historians Ann Reynolds and Kenneth E. Silver and an interview with Alexander Jensen Yow by Michael Schreiber.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843694719137,"sku":"9781644230268","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2020YoungandEvil_0005-v.jpg?v=1756817136"},{"product_id":"visions-and-ecstasies-selected-essays","title":"Visions and Ecstasies: Selected Essays","description":"\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eH.D.’s writing continues to inspire generations of readers. Bringing together a number of never-before-published essays, this new collection of H.D.’s writings introduces her compelling perspectives on art, myth, and the creative process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eWhile she is best known for her elemental poetry, which draws heavily on the imagery of natural and ancient worlds, H.D.’s critical writings remain a largely underexplored and unpublished part of her oeuvre. Crucial to understanding both the formative contexts surrounding her departure from Imagism following World War I and her own remarkable creative vision,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNotes on Thought and Vision\u003c\/em\u003e, written in 1918, is one of the central works in this collection. H.D. guides her reader to the untamed shores of the Isles of Scilly, where we hear of powerful, transformative experiences and of her intense relationship with the paintings of Leonardo da Vinci. The accompanying essays, many published here for the first time, help color H.D.’s astute critical engagement with the past, from the city of Athens and the poetry of ancient Greece. Like Rainer Maria Rilke’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLetters to a Young Painter\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2017), also published in the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eekphrasis\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eseries, this collection is essential reading for anyone interested in the creative process.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843718803617,"sku":"9781644230237","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2019HD_0008-v.jpg?v=1756816429"},{"product_id":"thrust-a-spasmodic-pictorial-history-of-the-codpiece-in-art","title":"Thrust: A Spasmodic Pictorial History of the Codpiece in Art","description":"\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eA laugh-out-loud visual history of the strangest piece of men’s clothing ever created: the codpiece.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eThe codpiece was fashioned in the Middle Ages to close a revealing gap between two separate pieces of men’s tights. By the sixteenth century, it had become an upscale must-have accessory. This light-hearted, illustrated examination of its history pulls in writers from Rabelais to Shakespeare and figures from Henry VIII to Alice Cooper. Glover’s witty and entertaining prose reveals how male vanity turned a piece of cloth into a bulging and absurd representation of masculinity itself. The codpiece, painted again and again by masters such as Titian, Holbein, Giorgione, and Bruegel, became a symbol of royalty, debauchery, virility, and religious seriousness—all in one.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eCenturies of male self-importance and delusion are on display in this highly enjoyably new title. Glover’s book moves from paintings to contemporary culture and back again as it charts the growing popularity of the codpiece and its eventual decline. The first history of its kind, this book is a must-read for art historians, anthropologists, fashion aficionados, and readers looking for a good, long laugh.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843723718817,"sku":"9781644230244","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2019Thrust_0007-v.jpg?v=1756816427"},{"product_id":"william-shakespeare-chris-ofili-othello","title":"William Shakespeare × Chris Ofili: Othello","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eOthello remains one of Shakespeare’s most contemporary and moving plays, with its emphasis on race, revenge, murder, and lost love. Chris Ofili’s new edition highlights the tragedy of Othello’s plight in ways no other volume of this play has. In the twelve etchings Ofili has produced to illustrate this play, Othello is depicted with tears in his eyes, which flow below various scenes visualized in his forehead. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eOfili asks us to see in Othello the great injustices that still plague the world today. These images add feeling to Shakespeare’s words, and together they form their own hybrid object—something between a book and a visual retelling of the tragedy. With a foreword by the renowned critic Fred Moten, this edition is the first of its kind and puts Othello’s blackness and interiority front and center, forcing us to confront the complex world that ultimately dooms him.\u003c\/span\u003e\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843764023457,"sku":"9781644230220","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2019Othello_0004-v.jpg?v=1756816591"},{"product_id":"donald-judd-interviews","title":"Donald Judd Interviews","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eDonald Judd Interviews presents sixty interviews with the artist over the course of four decades and is the first compilation of its kind. It is the companion volume to the critically acclaimed and bestselling Donald Judd Writings. This collection of interviews engages a diverse range of topics, from philosophy and politics to Judd’s insightful critiques of his own work and the work of others such as Mark di Suvero, Edward Hopper, Yayoi Kusama, Barnett Newman, and Jackson Pollock. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe opening discussion of the volume between Judd, Dan Flavin, and Frank Stella provides the foundation for many of the succeeding conversations, focusing on the nature and material conditions of the new art developing in the 1960s. The publication also gathers a substantial body of unpublished material across a range of mediums, such as radio and film, including extensive interviews with art historians Lucy R. Lippard and Barbara Rose. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eJudd’s contributions in interviews, panels, and extemporaneous conversations are marked by his forthright manner and rigorous thinking, whether in dialogue with art critics, art historians, or his contemporaries. In one of the last interviews, he observed, “Generally, expensive art is in expensive, chic circumstances; it’s a falsification. The society is basically not interested in art. And most people who are artists do that because they like the work; they like to do that [make art]. Art has an integrity of its own and a purpose of its own, and it’s not to serve the society. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThat’s been tried now in the Soviet Union and lots of places, and it doesn’t work. The only role I can think of, in a very general way, for the artist is that it [art] tends to shake up the society a little bit just by its existence, in which case it helps undermine the general political stagnation and, perhaps by providing a little freedom, supports science, which requires freedom. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eIf the artist isn’t free, you won’t have any art.\" Donald Judd Interviews is copublished by Judd Foundation and David Zwirner Books. The interviews expand upon the artist’s thinking present in Donald Judd Writings (Judd Foundation\/David Zwirner Books, 2016).\u003c\/span\u003e\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843769823393,"sku":"9781644230169","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2019Judd_0007-v.jpg?v=1756816730"},{"product_id":"ruth-asawa","title":"Ruth Asawa","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eKnown for her extensive body of intricate and dynamic wire sculptures, American sculptor, educator, and arts activist Ruth Asawa challenged conventional notions of material and form through her emphasis on lightness and transparency. Asawa began her now iconic looped-wire works in the late 1940s while still a student at Black Mountain College. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eTheir unique structure was inspired by a 1947 trip to Mexico, during which local craftsmen taught her how to create baskets out of wire. While seemingly unrelated to the lessons of color and composition taught in Josef Albers’s legendary Basic Design course, these works, as she explained, are firmly grounded in his teachings in their use of unexpected materials and their elision of figure and ground. Presenting an important and timely overview of the artist’s work, this monograph brings together a broad selection of her sculptures, works on paper, and more. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eTogether the body of work demonstrates the centrality of Asawa’s innovative practice to the art-historical legacy of the twentieth century. In addition to an incredible group of photographs of the artist and her work by Imogen Cunningham, a selection of rare archival materials will illustrate a chronology of the artist’s life and work. Featuring an extensive text by Tiffany Bell which explores the artist’s influences, history, and, most importantly, the work itself, as well as a significant essay by Robert Storr discussing Asawa’s work in relation to mid-twentieth century art history, culture, and scientific theory.\u003c\/span\u003e\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843775557793,"sku":"9781941701683","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/products\/38.500x500RuthAsawa.png?v=1756817213"},{"product_id":"michael-borremans-fire-from-the-sun","title":"Michael Borremans: Fire from the Sun","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe first in a series of small-format publications devoted to single bodies of work,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eFire from the Sun\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ehighlights Michaël Borremans’s new work, which features toddlers engaged in playful but mysterious acts with sinister overtones and insinuations of violence. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKnown for his ability to recall classical painting, both through technical mastery and subject matter, Borremans’s depiction of the uncanny, the perhaps secret, the bizarre, often surprises, sometimes disturbs the viewer. In this series of work, children are presented alone or in groups against a studio-like backdrop that negates time and space, while underlining the theatrical atmosphere and artifice that exists throughout Borremans’s recent work. Reminiscent of cherubs in Renaissance paintings, the toddlers appear as allegories of the human condition, their archetypal innocence contrasted with their suggested deviousness.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn his accompanying essay, critic and curator Michael Bracewell takes an in-depth look into specific paintings, tackling both the highly charged subject matter and the masterly command of the medium. He writes, “The art of Michaël Borremans seems always to have been predicated on a confluence of enigma, ambiguity, and painterly poetics—accosting beauty with strangeness; making historic Romanticism subjugate to mysterious controlling forces that are neither crudely malevolent nor necessarily benign.” Published on the occasion of Borremans’s eponymous exhibition at David Zwirner in Hong Kong, this publication is available in both English-only and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.davidzwirnerbooks.com\/product\/michael-borremans-fire-from-the-sun-bilingual\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.davidzwirnerbooks.com\/product\/michael-borremans-fire-from-the-sun-bilingual\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cins data-mce-fragment=\"1\"\u003ebilingual English\/traditional Chinese\u003c\/ins\u003e\u003c\/strong\u003e\u003c\/a\u003e editions.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843780341921,"sku":"9781941701836","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2018BorremansFirefromtheSun_0003-v.jpg?v=1756816691"},{"product_id":"felix-gonzaleztorres","title":"Felix Gonzalez-Torres","description":"\u003cdiv data-mce-fragment=\"1\" class=\"titlewithtext\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOne of the most significant artists to emerge in the late 1980s and early 1990s, Felix Gonzalez-Torres’s reduced formal vocabulary, conceptual rigor, and evocative use of everyday materials resonates with meaning that is at once specific and mutable, rigorous and generous, poetic and political.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeaturing several key bodies of work from throughout the artist’s career, this publication showcases a series of distinct installations at David Zwirner in New York in 2017. The interplay with the specific architecture of the gallery and the way works are installed is highlighted throughout the catalogue, with images that explore the poetics of how space and work influence each other. Together, in their radical openness to interventions of site, audience, and context, the works on view challenge perceived notions of what constitutes an exhibition space, a public, an artwork itself. Despite the resolute abstraction of much of his work, Gonzalez-Torres worked with familiar materials, from his iconic candy spill works and his evocative light string pieces, but also including mirrors, clocks, and curtains. His work activates the architecture of the various spaces, the physicality of the viewer, the past and present, continuously maintaining its relevance.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOpening with details of the exhibition and images of visitors in the spaces, the publication walks the reader through each piece. New text by David Breslin explores the variety of works included here while contextualizing Gonzalez-Torres’s contribution to art history.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843790336161,"sku":"9781941701768","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2018Gonzalez-Torres_0004-v.jpg?v=1756816841"},{"product_id":"the-psychology-of-an-art-writer","title":"The Psychology of an Art Writer","description":"\u003cdiv class=\"my-[3.75rem]\"\u003e\n\u003cdiv data-testid=\"portable-text-block\" class=\"[\u0026amp;\u0026gt;p]:mb-5 last:[\u0026amp;\u0026gt;p]:mb-0\"\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eAn openly lesbian, feminist writer, Vernon Lee—a pseudonym of Violet Paget—is the most important female aesthetician to come out of nineteenth century England.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eThough she was widely known for her supernatural fictions, Lee hasn’t gained the recognition she so clearly deserves for her contributions in the fields of aesthetics, philosophy of empathy, and art criticism. An early follower of Walter Pater, her work is characterized by extreme attention to her own responses to artworks, and a level of psychological sensitivity rarely seen in any aesthetic writing. Today, she is largely overlooked in curriculums, her aesthetic works long out of print.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eDavid Zwirner Books is reintroducing Lee’s writing through the first-ever English publication of \"Psychology of an Art Writer\" (1903) along with selections from her groundbreaking \"Gallery Diaries\" (1901–1904), breathtaking accounts of Lee’s own experiences with the great paintings and sculptures she traveled to see. Ranging from deeply felt assessments of the way mood affects our ability to appreciate art, to detailed descriptions of some of the most powerful personal experiences with artworks, these writings provide profound insights into the fields of psychology and aesthetics. Her philosophical inquiries in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Psychology of an Art Writer\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eleave no stone unturned, combining fine-grained ekphrases with high fancy and dense abstraction. The diaries, in turn, establish Lee as one of the most sensitive writers about art in any language.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eWith a foreword by Berkeley classicist Dylan Kenny, which guides the reader through these writings and contextualizes these texts within Lee’s other work, this is the quintessential introduction to her astonishing and complex oeuvre.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843827921057,"sku":"9781941701782","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2018Lee_0009-v.jpg?v=1756816424"},{"product_id":"giotto-and-his-works-in-padua","title":"Giotto and His Works in Padua","description":"\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eThe Arena Chapel in Padua was completed in 1303; Giotto, then considered the preeminent painter in Italy, was commissioned to paint it in 1306. The resulting fresco cycle, detailing the history, birth, life, and death of Christ, ranks among the greatest artworks ever created.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eJohn Ruskin helped redefine art criticism in the nineteenth century through his attention to detail, his playful and engaging prose, and the conviction with which he discussed the subjects that mattered most to him. Ruskin’s ekphrastic writing became a way for readers to approach the experience of looking at great art without actually seeing it in person. Despite having written about Giotto on numerous occasions in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eStones of Venice\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eand\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eModern Painters\u003c\/em\u003e, he never treated the Arena Chapel in its own right. Here Ruskin examines the panels and brings them life, describing their many hidden details, all the result of Giotto’s unrivaled genius. As Ruskin says, “Giotto was…one of the greatest men who ever lived.”\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eLong out of print, the Arundel Society first published\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eGiotto and His Works in Padua \u003c\/em\u003ebetween 1853 and 1860. It stands as Ruskin’s most compelling set of reflections on Giotto’s masterpiece—an artwork that, in Ruskin’s estimation, changed the very course of art history. Originally accompanied by a set of black and white woodcuts of the panels in the Chapel, this new edition presents each panel in vivid color photography, adding a useful visual aid to Ruskin’s lyrical descriptions. The result is a book that serves not only as an introduction for students of art history, but also as a discussion of what it means to be a great artist, by one of most influential writers ever to tackle visual art.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843836014753,"sku":"9781941701799","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2018Ruskin_0003-v.jpg?v=1756816422"},{"product_id":"tamuna-sirbiladze","title":"Tamuna Sirbiladze","description":"\u003cp data-mce-fragment=\"1\"\u003eWith a large body of work mainly comprising mixed-media paintings, Tamuna Sirbiladze was known for her distinctive style, which continually forged new terms between dichotomous relationships. Abstract and figurative, playful and serious, energetic and quiet, vibrant and muted, Sirbiladze’s work is characterized by both its intensity and flexibility. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKnown for the speed at which she worked, there is a quality of immediacy in her paintings, as if they provide direct access to her imagination. This primacy is perhaps most evident in her gestural, improvisatory paintings made with oil sticks on unstretched, raw canvas, which purposely retain the appearance of being unfinished. “As an artist,” Sirbiladze writes, “I don’t want to control what the representation will be seen as.” This catalogue presents a careful selection of these oil stick works along with her other paintings—including her celebrated\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eV Collection\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(2012), which was made in dialogue with iconic works by Caravaggio, Giotto, Raphael, and Velazquez, as well as her later paintings focused on women’s bodies in intimate, underrepresented scenes, Sirbiladze’s response to male dominance in the art world.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e With contributions by Max Henry, Anna Kats, and Julie Ryan, as well as a conversation with the artist and an arrangement of fifteen sonnets by her partner, Benedikt Ledebur, this publication provides a comprehensive survey of Sirbiladze’s works and practice.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843861508257,"sku":"9781941701805","price":24.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2017Sirbiladze_0002-v.jpg?v=1756816510"},{"product_id":"anni-albers-notebook-19701980","title":"Anni Albers: Notebook 1970–1980","description":"\u003cp\u003e\u003cstrong\u003eThis superb facsimile of the only known notebook of legendary artist Anni Albers features 106 drawings by the modern master and offers insight into her methodology. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“We can simply turn the pages, and be dazzled and beguiled by [Albers’s] control of her medium and the forms that she could elicit from simple materials\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e—\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003epencil and paper\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e—\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eand apparently straightforward geometry … And we can let ourselves become caught up in imagining the workings of an acute and unceasingly inquiring creative mind\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e.” —\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eBrenda Danilowitz\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis publication features an afterword by Brenda Danilowitz, Chief Curator of The Josef and Anni Albers Foundation, which contextualizes the notebook and explores the role that studies played in the development of Albers’s work. \u003cbr\u003e\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843954897057,"sku":"9781941701744","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2017Albers_AnniNotebook_0160-v.jpg?v=1756816759"},{"product_id":"summoning-pearl-harbor","title":"Summoning Pearl Harbor","description":"\u003cdiv class=\"my-[3.75rem]\"\u003e\n\u003cdiv data-testid=\"portable-text-block\" class=\"[\u0026amp;\u0026gt;p]:mb-5 last:[\u0026amp;\u0026gt;p]:mb-0\"\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003e\u003cem\u003eSummoning Pearl Harbor\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a mesmerizing display of linguistic force that redefines remembering. How do words make the past appear? In what way does the historian summon bygone events? What is this kind of remembering, and for whom do we recall the dead, or the past?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eIn this highly original meditation on the past, renowned art historian Alexander Nemerov delves into what it means to recall a significant event—Pearl Harbor—and how descriptions of images can summon it back to life. Beginning with the photo album of a former Japanese kamikaze pilot, which is reproduced in this volume, Nemerov transports the reader into a different world through his engagement with the photographs and the construction of a narrative around them.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eThrough its lyrical prose,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSummoning Pearl Harbor\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eexpands what we traditionally associate with ekphrastic writing. The kind of writing that can enliven a work of art is also the kind of writing that makes the past appear in vivid color and deep feeling. In the end, this timely piece of writing opens onto fundamental questions about how we communicate with each other, and how the past continues to live in our collective consciousness, not merely as facts but as stories that shape us. Here, Nemerov’s constant awareness of the power of language to make an experience—seen or remembered—become real reminds us that great ekphrastic writing is at the heart of every effective description.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843959255201,"sku":"9781941701652","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2017Nemerov_0022-v.jpg?v=1756816419"},{"product_id":"lisa-yuskavage-babie-brood","title":"Lisa Yuskavage: Babie Brood","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eLisa Yuskavage: Babie Brood is the first survey of the artist’s small-scale paintings. While Yuskavage is primarily known for larger canvases, these intimate works offer a new window into her transgressive paintings and complex and influential oeuvre. Based on the artist’s imagination, live models, maquettes, and found and staged photographs, the small paintings in this book demonstrate Yuskavage’s methodical exploration of how images are created and their sources. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eSome of the small works are studies for large paintings, while others revisit preexisting images. Yet others are one-of-a-kind compositions only created on this intimate scale. As places for experimenting with color, form, and characters as well as a variety of formats—including stretched and unstretched linen, canvas boards, wood, and paper—these paintings play a remarkably dynamic and pivotal role within her work. This catalogue presents the paintings to scale so readers can explore the works as if seeing them in person. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eDocumenting the artist’s exhibition at David Zwirner, New York, in 2018, this catalogue includes an essay by Jarrett Earnest that illuminates Yuskavage’s early influences and explores the constant, often surprising themes that can be found throughout her art.\u003c\/span\u003e\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843965382817,"sku":"9781644230145","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2019Yuskavage_0006-v.jpg?v=1756817080"},{"product_id":"letters-to-a-young-painter","title":"Letters to a Young Painter","description":"\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eNever before translated into English, Rainer Maria Rilke’s fascinating\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLetters to a Young Painter\u003c\/em\u003e, written toward the end of his life between 1920 and 1926, is a surprising companion to his infamous\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLetters to a Young Poet\u003c\/em\u003e, earlier correspondence from 1902 to 1908. While the latter has become a global phenomenon, with millions of copies sold in many different languages, the present volume has been largely overlooked.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eIn these eight intimate letters written to a teenage Balthus—who would go on to become one of the leading artists of his generation—Rilke describes the challenges he faced, while opening the door for the young painter to take himself and his work seriously. Rilke’s constant warmth, his ability to sense in advance his correspondent’s difficulties and propose solutions to them, and his sensitivity as a person and an artist come across in these charming and honest letters.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eWriting during his aged years, this volume paints a picture of the venerable poet as he faced his mortality, through the perspective of hindsight, and continued to embrace his openness towards other creative individuals. With an introduction by Rachel Corbett, author of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eYou Must Change Your Life: The Story of Rainer Maria Rilke and Auguste Rodin\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2016), this book is a must-have for Rilke’s admirers, young and old, and all aspiring artists.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843967348897,"sku":"9781941701645","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2017Rilke_0036-v.jpg?v=1756816416"},{"product_id":"kerry-james-marshall-history-of-painting","title":"Kerry James Marshall: History of Painting","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eKerry James Marshall is one of America’s greatest living painters. History of Painting presents a groundbreaking body of new work that engages with the history of the medium itself. In History of Painting, the artist has widened his scope to include both figurative and nonfigurative works that deal explicitly with art history, race, and gender, as well as force us to reexamine how artworks are received in the world and in the art market. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eIn the paintings in this book, Marshall’s critique of history and of dominant white narratives is present, even as the subjects of the paintings move between reproductions of auction catalogues, abstract works, and scenes of everyday life. Essays by Teju Cole and Hal Foster help readers navigate the artist’s masterful vision, decoding complexly layered works such as Untitled (Underpainting) (2018) and Marshall’s own artistic philosophy. This catalogue is published on the occasion of Marshall’s eponymous exhibition at David Zwirner, London, in 2018.\u003c\/span\u003e\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843971182753,"sku":"9781644230152","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2019Marshall_0006-v.jpg?v=1756817078"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/collections\/Group_shot_2_DZB_Holiday.jpg?v=1668551156","url":"https:\/\/cart.davidzwirner.com\/collections\/dzb.oembed?page=8","provider":"David Zwirner Books","version":"1.0","type":"link"}