{"title":"Archive Sale 2026","description":"","products":[{"product_id":"marlene-dumas-against-the-wall","title":"Marlene Dumas: Against the Wall","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eDescribed by Deborah Solomon in a New York Times profile as “one of contemporary art’s most compelling painters,” Marlene Dumas has continuously explored the complex range of human emotions, often probing questions of gender, race, sexuality, and economic inequality through her dramatic and at times haunting figural compositions. Originally published in 2010 on the occasion of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAgainst the Wall\u003c\/i\u003e, Dumas’s first solo presentation at David Zwirner in New York, this much sought-after exhibition catalogue—which sold out shortly after publication—has been reprinted to coincide with the artist’s 2014–2015 European retrospective exhibition\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Image as Burden\u003c\/i\u003e, organized by Tate Modern, London in collaboration with the Stedelijk Museum, Amsterdam and the Fondation Beyeler, Basel. \u003c\/p\u003e\n\u003cp\u003eThroughout her career, the internationally renowned artist has continually created lyrically charged compositions that eulogize the frailties of the human body, probing issues of love and melancholy. At times her subjects are more topical, merging socio-political themes with personal experience and art-historical antecedents to reflect unique perspectives on the most salient and controversial issues facing contemporary society. The large-scale works included in\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAgainst the Wall\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eare primarily based on media imagery and newspaper clippings documenting the conflict between Israel and Palestine, exploring the tension between the photographic documentation of reality and the constructed, imaginary space of painting.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Wall\u003c\/i\u003e, the painting that began the series, at first appears to present a scene at the Western Wall (also known as the Wailing Wall), an important site of religious pilgrimage located in Jerusalem. However, this work is based upon a photograph from a newspaper that portrayed a group of Orthodox Jews on their way to pray at Rachel’s Tomb in Bethlehem. Through her delicate treatment of every scene, Dumas destabilizes preconceived notions about what, in fact, is being pictured—engaging the often ambiguous nature of ideas like truth or justice. “In a sense they are my first landscape paintings,” Dumas further notes in the catalogue, “or should I say ‘territory paintings.’ That is why they are so big.” The somber color plates reproduced in the publication are given context by Dumas’s own musings, a text framed as a letter to David Zwirner in which she tries to tell him “about the ‘why’ ” of this powerful series.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36842460577953,"sku":"9781941701003","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2014DumasAgainsttheWall_0003-v.jpg?v=1756816712"},{"product_id":"marcel-dzama-behind-every-curtain","title":"Marcel Dzama: Behind Every Curtain","description":"\u003cp\u003eBook\u003c\/p\u003e","brand":"David Zwirner Books","offers":[{"title":"Default Title","offer_id":36842484039841,"sku":"9781935202622","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/products\/498400_753171897_product.jpg?v=1756816501"},{"product_id":"robert-graham-early-work-19631973","title":"Robert Graham: Early Work 1963-1973","description":"\u003cp\u003eBook\u003c\/p\u003e","brand":"David Zwirner Books","offers":[{"title":"Default Title","offer_id":36842662658209,"sku":"9783869309859","price":68.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/products\/robert-graham-thumb.jpg?v=1756817154"},{"product_id":"donald-judd-corten","title":"Donald Judd: Cor-ten","description":"\u003cdiv class=\"my-[3.75rem]\"\u003e\n\u003cdiv class=\"@apply [\u0026amp;\u0026gt;p]:mb-[1.25rem] last:[\u0026amp;\u0026gt;p]:mb-0\" style=\"border: 0px solid rgb(229, 231, 235); box-sizing: border-box; scrollbar-color: auto; scrollbar-width: auto; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000;\"\u003e\n\u003cp class=\"text-black-100 @apply text-sm md:text-md\"\u003eThe work of Donald Judd, one of the most significant American artists of the postwar period, has come to define Minimalist art, a label to which the artist strongly objected. The unaffected, straightforward quality of Judd’s work demonstrates his strong interest in color, form, material, and space. Wanting to create works that could assume a direct material and physical presence without recourse to grand philosophical statements, Judd eschewed classical ideals of representational sculpture and created works that relied on clear, definite objects.\u003c\/p\u003e\n\u003cp class=\"text-black-100 @apply text-sm md:text-md\"\u003e\u003cem\u003eDonald Judd: Cor-ten\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003erepresents the first-ever focused examination of Judd’s works in Cor-ten steel, which he began to produce in earnest in 1989 and would continue to elaborate on until his death in 1994. Cor-ten is an alloy that makes steel more resistant to corrosion, and eliminates the need for paint. With its distinctive red-brown patina, Cor-ten afforded Judd a new medium for exploring the relationship between surface and volume, as well as color and form. Prior to 1989, Judd executed a handful of works in Cor-ten primarily as outdoor commissions or site-specific works. This volume is produced on the occasion of the 2015 exhibition at David Zwirner, New York. Designed in close collaboration with Flavin Judd and Judd Foundation,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDonald Judd: Cor-ten\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003esheds new light on a body of work that represents the culmination of three decades of aesthetic output and underscores the mastery and control over material and space that characterizes Judd’s practice as a whole.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-5\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36842667344033,"sku":"9781941701195","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/products\/498400_753171870_product.jpg?v=1756816857"},{"product_id":"jeff-koons-gazing-ball","title":"Jeff Koons: Gazing Ball","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eHailed by Peter Schjeldahl in\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe New Yorker\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eas “the most original, controversial, and expensive American artist of the past three and a half decades,” Jeff Koons has come to reign as a master of the market, a wry puppeteer with a “formidable aesthetic intelligence.” His elaborate, exquisitely produced sculptures draw from a contemporary lexicon of consumerism—often featuring large-scale reproductions of toys, household items, or luxury goods—while simultaneously holding up a mirror to the very culture from which they are extracted. These references to popular media are evidenced not merely in his choice of subject matter but also in his visual techniques: his sculptures frequently comprise smooth, mirrored surfaces, and his paintings employ bright and saturated colors. \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eJeff Koons: Gazing Ball\u003c\/i\u003e—the first catalogue on the artist’s work to be published by David Zwirner—was produced on the occasion of the major 2013 exhibition at the gallery in New York, which marked the world debut of his\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGazing Ball\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eseries, a brand new body of work that occupies an important place in the trajectory of his practice. Conceptually derived from the mirrored ornaments encountered on many suburban lawns, including those of Koons’s childhood hometown in rural Pennsylvania, every sculpture is anchored by a blue “gazing ball” of hand-blown glass. These are situated atop large, white-plaster sculptures that have been alternately modeled after iconic works from the Greco-Roman era, including the Farnese Hercules and the Esquiline Venus, or after such quotidian objects from the contemporary residential landscape as a rustic mailbox, a birdbath, and an inflatable garden snowman. \u003c\/p\u003e\n\u003cp\u003eCreated in close collaboration with Koons, this elegant publication echoes the classic design of a 1970 Picasso catalogue that the artist admires. Inside, vivid color plates of the sculptures in situ capture the stark contrast between the pristine whiteness of the plaster and the highly reflective spheres. In their perfect contours and smooth, glistening surfaces, the gazing balls implicate audience as well as context—mirroring both and offering playful yet powerful meditations on the dialogue between gaze and reflection. “While all of the sculptures are grounded in their own distinct narratives, derived from Art History and suburban towns,” writes Francesco Bonami in his catalogue essay, “the seemingly fragile and delicate gazing ball establishes that sense of uncertain equilibrium that exists between history and fantasy, magic and materiality, mass culture and exclusive beauty.”\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36842711646369,"sku":"9780989980913","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2014KoonsGazingBall_0004-v.jpg?v=1756816958"},{"product_id":"gordon-mattaclark-the-beginning-of-trees-and-the-end","title":"Gordon Matta-Clark: The Beginning of Trees and the End","description":"\u003cp\u003eWell known for his radical “anarchitectural” interventions throughout the 1970s, Gordon Matta-Clark was always deeply, though less publicly, committed to drawing. His works on paper—which span three-dimensional reliefs, calligraphy, and notebook entries—capture the interdisciplinary spirit that defined the art world in the 1970s. Intricate and concise, they testify to his interest in the crossovers between visual and performance arts, as well as the broader integration within his oeuvre of the natural and built environment.\u003c\/p\u003e\n\u003cp\u003eDocumenting the artist’s extraordinary accomplishments as a draftsman, this publication originates from the 2015 solo presentation at David Zwirner, New York, entitled\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eEnergy \u0026amp; Abstraction\u003c\/i\u003e, organized in close collaboration with Jane Crawford and Jessamyn Fiore from the Estate of Gordon Matta-Clark. This catalogue presents in vibrant detail selections from Matta-Clark’s\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eCut Drawings\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eEnergy Rooms\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eEnergy Trees\u003c\/i\u003e, and his own “calligraphy,” many of which have never been published. Perhaps the best known of the group, the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eCut Drawings\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eexplore parallel, smaller-format versions of his physical interventions in architecture; slicing meticulously through several layers of paper, gesso, or cardboard, Matta-Clark created sculptural flat works that emphasized the voids created by the extraction of matter. Drawings with his own “calligraphy” emphasize the medium of drawing as an independent form. Abstract letters make up a code that remains indecipherable, but points toward a visionary longing to invent new languages and structures of experience. Some of the most elaborate and colorful compositions include trees, several of which refer explicitly to Matta-Clark’s\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTree Dance\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eperformance at Vassar College in upstate New York in 1971. In full-color plates, the reader can see the physical structure of his trees “dissolving” into kinetic energy and, in some drawings, becoming reduced to a multitude of arrows. Near-abstract tree shapes also incorporate his calligraphic marks, with branches constructed from imaginary letters, again emphasizing the importance of language to a new visual experience. Matta-Clark’s notebooks, which he often insisted on completing in a single sitting, are presented in elegantly curated groups. Combining elements of Surrealist automatic drawing with an interest in choreography, these works appealed to performance artists at the time—including Laurie Anderson and Trisha Brown. This unparalleled presentation of Matta-Clark’s drawings is accompanied by new and exciting scholarship by Briony Fer, as well as a conversation between Jessamyn Fiore and contemporary artist Sarah Sze; it marks a major contribution to the literature on this highly influential artist\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36842797858977,"sku":"9781941701256","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2016Matta-ClarkBeginningofTrees_0006-v.jpg?v=1756817013"},{"product_id":"john-mccracken-works-from-19632011","title":"John McCracken: Works from 1963–2011","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMy works are minimal and reduced, but also maximal. I try to make them concise, clear statements in three-dimensional form, and also to take them to a breathtaking level of beauty.\u003cbr\u003e\u003c\/em\u003e-John McCracken\u003c\/p\u003e\n\u003cp\u003eJohn McCracken occupies a singular position within the recent history of American art, as his work melds the restrained formal qualities of Minimalist sculpture with a distinctly West Coast sensibility expressed through color, form, and finish. He developed his early sculptural work while studying painting at the California College of Arts and Crafts in Oakland in the late 1950s and early 1960s. While experimenting with increasingly three-dimensional canvases, the artist began to produce objects made with industrial materials, including plywood, sprayed lacquer and pigmented resin, creating the highly reflective, smooth surfaces that he was to become known for.\u003c\/p\u003e\n\u003cp\u003ePublished on the occasion of the comprehensive presentation of McCracken's work at David Zwirner, New York in 2013, this catalogue charts the evolution of the artist's diverse oeuvre, encompassing both well-known and lesser-seen examples of his production from the early 1960s up through his death in 2011 with a range of sculptures, paintings, and sketches. Featuring new scholarship by art historian Robin Clark, it includes reproductions of fascinating archival and documentary material that was discovered during the curatorial process, from the artist’s sketches to gallery invitation cards, early catalogue covers, historic photographs, as well as installation views of the exhibition.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36842806214817,"sku":"9781934435755","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2014McCrackenWorks_0004-v.jpg?v=1756817223"},{"product_id":"chris-ofili-devils-pie","title":"Chris Ofili: Devil's Pie","description":"\u003cdiv class=\"my-[3.75rem]\"\u003e\n\u003cdiv class=\"[\u0026amp;\u0026gt;p]:mb-5 last:[\u0026amp;\u0026gt;p]:mb-0\" data-testid=\"portable-text-block\"\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eFew artists's names can connote such diverse associations as the Virgin Mary, Rudolph Giuliani and elephant dung. Controversy tends to dog the art of Chris Ofili, and former New York Mayor Giuliani's suspension of funding for the Brooklyn Museum upon its exhibition of his 1996 painting\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Holy Virgin Mary\u003c\/em\u003e in 1999 was but one instance of the ire Ofili routinely arouses. When these occasional media commotions subside, one sees that the work is actually pleasing in more familiar ways: Ofili's surfaces sparkle with smears of glitter and bright veneer, resembling nothing so much as African icons. But Ofili has always been political, specifically in his confrontations with racial cliché, and in his insistent incorporation of materials from popular black culture. \u003cem\u003eDevil's Pie\u003c\/em\u003e derives its title from singer-songwriter D'Angelo's 1998 lyric meditation on temptation and retribution. According to the song, the ingredients of a devil's pie include \"materialistic, greed and lust, jealousy, envious \/ bread and dough, cheddar cheese, flash and stash, cash and cream.\" Similarly diverse in its references and dichotomies, Ofili's work contains contradictions. This catalogue collects his work in sculpture, painting, printmaking, and graphite drawing for the first time and includes texts by art writer and curator Klaus Kertess and writer Cameron Shaw.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"David Zwirner Books","offers":[{"title":"Default Title","offer_id":36842846552225,"sku":"9783865216298","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/OfiliDevil_sPie.png?v=1756816773"},{"product_id":"palermo-works-on-paper","title":"Palermo: Works On Paper","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eDescribed by\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe New York Times\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eart critic Roberta Smith as a “precocious art star,” German artist (Blinky) Palermo (1943–1977) has been associated with distinct twentieth-century art practices, from abstraction to Minimalism and Conceptual art. But his diverse body of work in fact defies easy classification. Throughout his brief and influential career—leading all the way up to his untimely death at the age of 33—Palermo executed paintings, objects, installations, and works on paper that mined various contextual and semantic issues at stake in the construction, exhibition, and reception of works of art, eternally “stretching and questioning” the boundaries of every medium he touched. \u003c\/p\u003e\n\u003cp\u003eThis fully illustrated catalogue features new scholarship by Christine Mehring and Christoph Schreier and documents the 2013 exhibition at David Zwirner in New York. It is the first publication to tackle Palermo’s late work, which is characterized by explorations of the tensions between material and color, surface and depth, and figuration and abstraction—focusing in particular on the paper works he produced between 1976 and 1977, the last year of his life. “Less a system builder than an analyst working on intuition,” writes Schreier in his catalogue essay, Palermo “explored surface, shape, and color—the constituent elements of the image—with the aim of turning them into actors with a lively and delicately balanced play of forces.” The simplicity of the artist’s vision is beautifully evinced by the catalogue’s vibrant color plates, which reveal every stroke and each grain of paper shining through from behind the pigment\u003c\/p\u003e","brand":"David Zwirner Books","offers":[{"title":"Default Title","offer_id":36842883612833,"sku":"9781934435748","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2014Palermo_0002-v.jpg?v=1756816955"},{"product_id":"raymond-pettibon-to-wit","title":"Raymond Pettibon: To Wit","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eIn the summer of 2013, Raymond Pettibon took over one of David Zwirner’s gallery spaces in New York, transforming the high-ceilinged, garage-like white cube into his studio in order to prepare a show of drawings and collages within—and sometimes directly on—its walls. Titled\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTo Wit\u003c\/i\u003e, evoking the Middle English expression that has come to express a certain formality today and is defined as “namely,” or “that is to say,” the exhibition gave new meaning to the term “site specific,” featuring vibrant, gestural works Pettibon created in conversation with his surroundings that operated as a sort of archive, both product and record of his relationship to that space and time. Unified by their bold, vivid lines and unconventional framing, they feature allusions to a wide spectrum of American “high” and “low” culture, from violence, humor, and sex to literature, youth, art history, and sports—embodying the artist’s signature mix of social and political commentary, diary entry, and automatic drawing. \u003c\/p\u003e\n\u003cp\u003eThis publication, presenting large color plates of the works created over that summer by Pettibon, who also produced an original drawing for its sturdy cardboard cover, explores the intricate relationship between image and language that has long fascinated the artist. Just as the works in the exhibition existed at once as art and document, so too does the book itself have the hefty, physical presence of a work of art. Extensive installation views capture the dynamic combination of visual imagery and text that has come to characterize Pettibon’s practice, and a selection of gritty black-and-white photographs by Andreas Laszlo Konrath offers an intimate glimpse into the artist’s working process. Context is provided by Lucas Zwirner, who accompanied the artist throughout this period and contributed the book’s essay, “A Month with Raymond.” As Zwirner describes it, the show functioned “as an essayistic whole held together by imaginative leaps and subtle connections which Raymond has left unexplained and uninterpreted.” That perspective is rounded out in an interview with the artist by Kim Gordon, a visual artist and musician, who first encountered Pettibon’s work in the early 1980s in Los Angeles.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36842895933601,"sku":"9780989980944","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2014PettibonToWit_0003-v.jpg?v=1756816850"},{"product_id":"raymond-pettibon-heres-your-irony-back","title":"Raymond Pettibon: Here's Your Irony Back","description":"\u003cp\u003eBook\u003c\/p\u003e","brand":"David Zwirner Books","offers":[{"title":"Default Title","offer_id":36842902257825,"sku":"9783775737333","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/products\/498400_753171381_product.jpg?v=1756817090"},{"product_id":"neo-rauch-dzsteidl","title":"Neo Rauch (DZ\/Steidl)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis fully illustrated catalogue was published on the occasion of the artist’s fourth solo exhibition at David Zwirner in 2008. The exhibition presented new paintings by Rauch, which feature a colorful cast of characters, ranging from sturdy women workers to dandified men in topcoats. Amongst the works on view was the striking painting \u003c\/span\u003e\u003cem\u003eParabel\u003c\/em\u003e\u003cspan\u003e (2008), which depicts a fallen painter with a noose tied from his neck to a blank canvas. Available in hardcover, this catalogue includes a text by art critic Christian Viveros-Fauné.\u003c\/span\u003e\u003c\/p\u003e","brand":"David Zwirner Books","offers":[{"title":"Default Title","offer_id":36843336695969,"sku":"9783865217431","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/SHOPIFYFRAME_2_7218f28c-445c-4fd6-9f8b-77479526c9f7.png?v=1776452234"},{"product_id":"the-sweet-flypaper-of-life-softcover","title":"The Sweet Flypaper of Life (softcover)","description":"\u003cp class=\"text-black-100 text-sm md:text-md\"\u003ePhotographs by Roy DeCarava. Text by Langston Hughes. Afterword by Sherry Turner DeCarava\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e“The people in these photographs had no walls up. They just accepted me and permitted me to take their photographs without any self-consciousness.” —Roy DeCarava\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003e\u003cem\u003eThe Sweet Flypaper of Life\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a “poem” about ordinary people, about teenagers around a jukebox, about children at an open fire hydrant, about riding the subway alone at night, about picket lines and artist work spaces. This renowned, life-affirming collaboration between artist Roy DeCarava and writer Langston Hughes honors in words and pictures what the authors saw, knew, and felt deeply about life in their city.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eHughes’s heart-warming description of Harlem in the late 1940s and early 1950s is seen through the eyes of one grandmother, Sister Mary Bradley. As she guides the reader through the lives of those around her, we imagine the babies born, families in struggle, children yet flourishing. We experience the sights and sounds of Harlem as seen through her learned and worldly eyes, expressed here through Hughes’s poetic prose. As she states, “I done got my feet caught in the sweet flypaper of life and I’ll be dogged if I want to get loose.” DeCarava’s photographs lay open a world of sense and feeling that begins with his perception and vision. The ruminations go beyond the limit of simple observation and contend with deeper meanings to reveal these individuals as subjects worthy of art. While Hughes states “We’ve had so many books about how bad life is, maybe it’s time to have one showing how good it is,” the photographs bring us back to this lively dialogue and a complex reality, to a resolution that stands with the optimism of the photographic medium and the certainty of DeCarava’s artistic moment.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eIn 1952 DeCarava became the first African American photographer to win a John Simon Guggenheim Memorial Fellowship. The one-year grant enabled DeCarava to focus full time on the photography he had been creating since the mid-1940s and to complete a project that would eventually result in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Sweet Flypaper of Life\u003c\/em\u003e, a moving, photo-poetic work in the urban setting of Harlem. DeCarava compiled a set of images from which Hughes chose 141 and adeptly supplied a fictive narration, reflecting on life in that city-within-a-city. First published in 1955, the book, widely considered a classic of photographic visual literature, was reprinted by public demand several times. This fourth printing, the Heritage Edition, is the first authorized English-language edition since 1983 and includes an afterword by Sherry Turner DeCarava tracing the history and ongoing importance of this book.\u003c\/p\u003e","brand":"3rd Party","offers":[{"title":"Default Title","offer_id":36843557126305,"sku":"9780999843819","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/products\/40.500x500TheSweetFlypaperofLife.png?v=1756816499"},{"product_id":"luc-tuymans-catalogue-raisonne-of-paintings-volume-3","title":"Luc Tuymans Catalogue Raisonne of Paintings: Volume 3","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe third volume of a catalogue raisonné of Luc Tuymans’s paintings, surveying nearly two hundred works, charts the artist’s investigation into painting’s relationship to history and technology.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr aria-hidden=\"true\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr aria-hidden=\"true\"\u003e\u003cspan\u003eTuymans is widely credited with having contributed to the revival of painting in the 1990s. His sparsely colored, figurative works speak in a quiet, restrained, and at times unsettling voice and are typically painted from preexisting imagery that includes photographs and video stills. The works in this volume, made between 2007 to 2018, show Tuymans at his most virtuosic, subtly but provocatively addressing a range of topics including religion, corporatization, and cultural memory, in addition to modernism and the history of painting. The Internet, in particular, is central to these works as well as the screen—leading to a new style of contemporary image. The works are mediatized to the nth degree, despite the artist’s continuous use of the traditional medium of painting. There is a certain kind of light that comes out of a screen, which can be found in Tuymans’s recent paintings.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr aria-hidden=\"true\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr aria-hidden=\"true\"\u003e\u003cspan\u003eThis volume includes an editor’s note by Eva Meyer-Hermann and an illustrated chronology with archival images and installation views of the featured works. It also presents brilliant color reproductions of each painting from this period. This publication is a testament to Tuymans’s persistent assertion of the relevance and importance of painting—a conviction that he maintains even in today’s digital world, when his work continues to be a touchstone for artists and scholars.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843619811489,"sku":"9781644230138","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2019TuymansCRV3_0004-v.jpg?v=1756817343"},{"product_id":"luc-tuymans-catalogue-raisonne-of-paintings-volume-2","title":"Luc Tuymans Catalogue Raisonne of Paintings: Volume 2","description":"\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eOver the course of four decades, Belgian painter Luc Tuymans has created his own distinctive vernacular, a new visual vocabulary. The second volume in a catalogue raisonné of Tuymans’s paintings surveys nearly two hundred works, including some of his most iconic canvases.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eBetween the years 1995 and 2006, Tuymans’s work trended toward ideas of national and collective memory. In 1996, the artist created a group of ten paintings entitled\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Heritage\u003c\/em\u003e, for which he transformed familiar images of American life, such as Mount Rushmore, baseball caps, and the United States flag, into unsettling visions, addressing the country’s perceived vulnerability, both physical and psychological, following the 1995 Oklahoma City bombing. Paintings from\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMwana Kitoko: Beautiful White Man\u003c\/em\u003e, his seminal body of work that was first shown at David Zwirner, New York, in 2000, after which he expanded the series for his presentation for the Belgian Pavilion at the Venice Biennale in 2001, depict imagery derived from the fraught history of Belgian colonial rule of the Democratic Republic of the Congo. Also included is one of Tuymans’s best-known paintings,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Secretary of State\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2005), a powerful yet seemingly vulnerable portrayal of Condoleezza Rice, which conjures the long history of racial and sexual prejudice in the United States, not as something that has been overcome, but as an active force shaping our reality.\u003c\/p\u003e\n\u003cdiv class=\"h-5\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eThis volume includes an editor’s note by Eva Meyer-Hermann and an illustrated chronology with archival images and installation views of the featured works. It also presents brilliant color reproductions of each painting from this period. This publication is a testament to Tuymans’s persistent assertion of the relevance and importance of painting—a conviction that he maintains even in today’s digital world, when his work continues to be a touchstone for artists and scholars.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843622432929,"sku":"9781941701959","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2018TuymansCRV2_0005-v.jpg?v=1756817341"},{"product_id":"rose-wylie-painting-a-noun-english","title":"Rose Wylie: painting a noun... (English)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eCelebrated British painter Rose Wylie—whose works are at once tactile, cerebral, and humorous—often draws her influence from a wide range of popular culture. Here her newest body of work references memories from her own life and mimics the way memories evolve and change over time.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWylie’s source material is culled from the vast visual world around her, ranging from sixteenth-century British estates to Serena Williams and the French Open. While initially these may seem random or aesthetically simplistic, through the nuanced use of humor, language, and compositional structure, Wylie creates wittily observed and subtly sophisticated meditations on the nature of memory, and visual representation itself, in line with the paintings she has become known for over the course of her career.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA new essay by art critic Michael Glover explores the remarkable painter whose work has “spark, assurance, brash humor, an extraordinary, freewheeling eclecticism that seems to be just as ready to suck in references to the art of Ptolemaic Egypt and Roman portraiture as to pay homage to the films of Quentin Tarantino and the late paintings of Philip Guston.” Part of David Zwirner Books’s\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eSpotlight Series\u003c\/i\u003e, this book features Wylie’s newest paintings and drawings and is published on the occasion of the artist’s 2020 solo exhibition of these works at David Zwirner Hong Kong.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843634426017,"sku":"9781644230299","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2020WylieHKEng_0002-v.jpg?v=1756816697"},{"product_id":"yun-hyongkeun-palazzo-fortuny","title":"Yun Hyong-keun (Palazzo Fortuny)","description":"\u003cp\u003e\u003c\/p\u003e","brand":"3rd Party","offers":[{"title":"Default Title","offer_id":36843654840481,"sku":"9783775745819","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/products\/1579202424yun-hyongkeun-hc-thumb.png?v=1756817086"},{"product_id":"doug-wheeler","title":"Doug Wheeler","description":"\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eOver five decades, Doug Wheeler has pioneered the art of light and space. His work powerfully explores the way we perceive “empty” space—the way light can affect our perception and make emptiness feel full and dense. From his early experiences flying across the desert with his father, a doctor in Globe, Arizona, Wheeler developed a passion for the intensity and stillness of vast expanses, seeing in them a whole new set of possibilities for visual art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eAlthough Wheeler began his career as a painter, his wall-mounted artworks soon began incorporating light as a medium and quickly gave way to an unprecedented art-historical breakthrough: his construction of an absolute light environment, crafted in his studio in 1967. Since that unparalleled moment, Wheeler’s work has been exhibited widely all over the world; in the past decade, with numerous major gallery and museum installations, his reputation as the definitive light and space artist has been solidified.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eThis volume, featuring new scholarship by renowned art historian Germano Celant, traces the entire course of Wheeler’s career to date, from his first mature paintings to his immersive installations. Writing on Wheeler’s intense and direct engagement with the absoluteness in the optical fields he creates, Celant provides a detailed account for Wheeler’s development as one of the most original and influential artists of his generation. Wheeler’s work not only changes how we encounter reality after we see it, but also how we envision what is possible more broadly in visual art.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843691704481,"sku":"9781941701249","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2020Wheeler_0009-v.jpg?v=1756817215"},{"product_id":"william-shakespeare-chris-ofili-othello","title":"William Shakespeare × Chris Ofili: Othello","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eOthello remains one of Shakespeare’s most contemporary and moving plays, with its emphasis on race, revenge, murder, and lost love. Chris Ofili’s new edition highlights the tragedy of Othello’s plight in ways no other volume of this play has. In the twelve etchings Ofili has produced to illustrate this play, Othello is depicted with tears in his eyes, which flow below various scenes visualized in his forehead. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eOfili asks us to see in Othello the great injustices that still plague the world today. These images add feeling to Shakespeare’s words, and together they form their own hybrid object—something between a book and a visual retelling of the tragedy. With a foreword by the renowned critic Fred Moten, this edition is the first of its kind and puts Othello’s blackness and interiority front and center, forcing us to confront the complex world that ultimately dooms him.\u003c\/span\u003e\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843764023457,"sku":"9781644230220","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2019Othello_0004-v.jpg?v=1756816591"},{"product_id":"donald-judd-interviews","title":"Donald Judd Interviews","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eDonald Judd Interviews presents sixty interviews with the artist over the course of four decades and is the first compilation of its kind. It is the companion volume to the critically acclaimed and bestselling Donald Judd Writings. This collection of interviews engages a diverse range of topics, from philosophy and politics to Judd’s insightful critiques of his own work and the work of others such as Mark di Suvero, Edward Hopper, Yayoi Kusama, Barnett Newman, and Jackson Pollock. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe opening discussion of the volume between Judd, Dan Flavin, and Frank Stella provides the foundation for many of the succeeding conversations, focusing on the nature and material conditions of the new art developing in the 1960s. The publication also gathers a substantial body of unpublished material across a range of mediums, such as radio and film, including extensive interviews with art historians Lucy R. Lippard and Barbara Rose. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eJudd’s contributions in interviews, panels, and extemporaneous conversations are marked by his forthright manner and rigorous thinking, whether in dialogue with art critics, art historians, or his contemporaries. In one of the last interviews, he observed, “Generally, expensive art is in expensive, chic circumstances; it’s a falsification. The society is basically not interested in art. And most people who are artists do that because they like the work; they like to do that [make art]. Art has an integrity of its own and a purpose of its own, and it’s not to serve the society. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThat’s been tried now in the Soviet Union and lots of places, and it doesn’t work. The only role I can think of, in a very general way, for the artist is that it [art] tends to shake up the society a little bit just by its existence, in which case it helps undermine the general political stagnation and, perhaps by providing a little freedom, supports science, which requires freedom. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eIf the artist isn’t free, you won’t have any art.\" Donald Judd Interviews is copublished by Judd Foundation and David Zwirner Books. The interviews expand upon the artist’s thinking present in Donald Judd Writings (Judd Foundation\/David Zwirner Books, 2016).\u003c\/span\u003e\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843769823393,"sku":"9781644230169","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2019Judd_0007-v.jpg?v=1756816730"},{"product_id":"felix-gonzaleztorres","title":"Felix Gonzalez-Torres","description":"\u003cdiv data-mce-fragment=\"1\" class=\"titlewithtext\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOne of the most significant artists to emerge in the late 1980s and early 1990s, Felix Gonzalez-Torres’s reduced formal vocabulary, conceptual rigor, and evocative use of everyday materials resonates with meaning that is at once specific and mutable, rigorous and generous, poetic and political.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeaturing several key bodies of work from throughout the artist’s career, this publication showcases a series of distinct installations at David Zwirner in New York in 2017. The interplay with the specific architecture of the gallery and the way works are installed is highlighted throughout the catalogue, with images that explore the poetics of how space and work influence each other. Together, in their radical openness to interventions of site, audience, and context, the works on view challenge perceived notions of what constitutes an exhibition space, a public, an artwork itself. Despite the resolute abstraction of much of his work, Gonzalez-Torres worked with familiar materials, from his iconic candy spill works and his evocative light string pieces, but also including mirrors, clocks, and curtains. His work activates the architecture of the various spaces, the physicality of the viewer, the past and present, continuously maintaining its relevance.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOpening with details of the exhibition and images of visitors in the spaces, the publication walks the reader through each piece. New text by David Breslin explores the variety of works included here while contextualizing Gonzalez-Torres’s contribution to art history.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843790336161,"sku":"9781941701768","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2018Gonzalez-Torres_0004-v.jpg?v=1756816841"},{"product_id":"anni-albers-notebook-19701980","title":"Anni Albers: Notebook 1970–1980","description":"\u003cp\u003e\u003cstrong\u003eThis superb facsimile of the only known notebook of legendary artist Anni Albers features 106 drawings by the modern master and offers insight into her methodology. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“We can simply turn the pages, and be dazzled and beguiled by [Albers’s] control of her medium and the forms that she could elicit from simple materials\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e—\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003epencil and paper\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e—\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eand apparently straightforward geometry … And we can let ourselves become caught up in imagining the workings of an acute and unceasingly inquiring creative mind\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e.” —\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eBrenda Danilowitz\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis publication features an afterword by Brenda Danilowitz, Chief Curator of The Josef and Anni Albers Foundation, which contextualizes the notebook and explores the role that studies played in the development of Albers’s work. \u003cbr\u003e\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843954897057,"sku":"9781941701744","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2017Albers_AnniNotebook_0160-v.jpg?v=1756816759"},{"product_id":"kerry-james-marshall-history-of-painting","title":"Kerry James Marshall: History of Painting","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eKerry James Marshall is one of America’s greatest living painters. History of Painting presents a groundbreaking body of new work that engages with the history of the medium itself. In History of Painting, the artist has widened his scope to include both figurative and nonfigurative works that deal explicitly with art history, race, and gender, as well as force us to reexamine how artworks are received in the world and in the art market. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eIn the paintings in this book, Marshall’s critique of history and of dominant white narratives is present, even as the subjects of the paintings move between reproductions of auction catalogues, abstract works, and scenes of everyday life. Essays by Teju Cole and Hal Foster help readers navigate the artist’s masterful vision, decoding complexly layered works such as Untitled (Underpainting) (2018) and Marshall’s own artistic philosophy. This catalogue is published on the occasion of Marshall’s eponymous exhibition at David Zwirner, London, in 2018.\u003c\/span\u003e\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843971182753,"sku":"9781644230152","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2019Marshall_0006-v.jpg?v=1756817078"},{"product_id":"marlene-dumas-myths-mortals","title":"Marlene Dumas: Myths \u0026 Mortals","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe latest from the renowned painter—Marlene Dumas’s new works respond more than ever to the uncertainty and sensuality of the painting process itself. Allowing the structure of the canvases and the materiality of the paint greater freedom to inform the development of her compositions, the artist has likened the creation of these works to the act of falling in love: an unpredictable and open-ended process that is as filled with awkwardness and anxiety as it is with bliss and discovery. Myths \u0026amp; Mortals documents a selection of new paintings—debuted in the spring of 2018 at David Zwirner, New York—ranging from monumental nude figures to intimately scaled canvases that present details of bodily parts and facial features. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eSeveral nearly ten-foot-tall paintings focus on individual figures, including a number of male and female nudes and a seemingly solemn bride, whose expression is obscured behind a floor-length veil. Like the Greek gods and goddesses, the figures in these paintings are at once larger than life and overwhelmingly human. The smaller-scale paintings—referred to by the artist as “erotic landscapes”—present a variety of fragmentary images: eyes, lips, nipples, or lovers locked in a kiss. Evident across all of these works is the artist’s uniquely sensitive treatment of the human form and her constantly evolving experimentation with color and texture. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eAlongside these new paintings, Dumas presents an expansive series of thirty-two works on paper originally created for a Dutch translation of William Shakespeare’s narrative poem Venus \u0026amp; Adonis (1593) by Hafid Bouazza (2016). Myths \u0026amp; Mortals is accompanied by new scholarship on the artist by Claire Messud and a text by Dumas herself.\u003c\/span\u003e\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36843999887521,"sku":"9781941701997","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2019Dumas_0004-v.jpg?v=1756817210"},{"product_id":"tell-me-something-good-artist-interviews-from-the-brooklyn-rail","title":"Tell Me Something Good: Artist Interviews from The Brooklyn Rail","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSince its inception, cofounder and artistic director Phong Bui and the Rail’s contributors have interviewed over four hundred artists for The Brooklyn Rail. This volume brings together for the first time a selection of sixty of the most influential and seminal interviews with artists ranging from Richard Serra and Brice Marden, to Alex Da Corte and House of Ladosha.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSelected and coedited by Jarrett Earnest, a frequent Rail contributor, with Lucas Zwirner, the book includes an introduction to the project by Phong Bui as well as many of the hand-drawn portraits he has made of those he has interviewed over the years.\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis combination of verbal and visual profiles offers a rare and personal insight into contemporary visual culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36844024496289,"sku":"9781941701379","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2017TMSG_0092-v.jpg?v=1756816560"},{"product_id":"endless-enigma","title":"Endless Enigma","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eEndless Enigma: Eight Centuries of Fantastic Art explores the ways in which artists have sought to explain their world in terms of an alternate reality, drawn from imagination, the subconscious, poetry, nature, myth, and religion. Endless Enigma takes as its point of departure Alfred H. Barr Jr.’s legendary 1936 exhibition at The Museum of Modern Art, New York, Fantastic Art, Dada, Surrealism, which not only introduced these movements to the American public, but also placed them in a historical and cultural context by situating them with artists from earlier centuries. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003ePresenting works from the twelfth century to the present day, this catalogue is organized into six themes—Monsters \u0026amp; Demons, Dreams \u0026amp; Temptation, Fragmented Body, Unconscious Gesture, Super Nature, and Sense of Place. Works included range from medieval gargoyles to twentieth-century works by Louise Bourgeois, Sigmar Polke, and Pablo Picasso as well as contemporary works by Michaël Borremans, Marcel Dzama, and Raymond Pettibon. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eMasterworks from the likes of Piero di Cosimo, Francisco de Goya, and Titian are considered alongside those by William Blake and Odilon Redon. Time folds and temporal barriers collapse when Damiano Cappelli meets Edvard Munch, and Salvator Rosa encounters Luc Tuymans and Lisa Yuskavage. Salvador Dalí, Sherrie Levine, Giuseppe Arcimboldo, Kerry James Marshall—eight centuries intersect and, as such, this wide-ranging catalogue examines affinities in intention and imagery between works executed across a broad span of time. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eOrganized in collaboration with Nicholas Hall, a specialist in the field of Old Masters and nineteenth-century art, this fully illustrated catalogue is published on the occasion of the eponymous exhibition at David Zwirner, New York, in 2018. It includes new scholarship by Dawn Ades, Olivier Berggruen, and J. Patrice Marandel.\u003c\/span\u003e\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36844034719905,"sku":"9781941701881","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2019EndlessEnigma_0023-v.jpg?v=1756816835"},{"product_id":"social-forms-a-short-history-of-political-art","title":"Social Forms: A Short History of Political Art","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eIn an increasingly polarized world, with shifting and extreme politics, Social Forms illustrates artists at the forefront of political and social resistance. Highlighting different moments of crisis and how these are reflected and preserved through crucial artworks, it also asks how to make art in the age of Brexit, Trump, and the refugee and climate crises. In Social Forms: A Short History of Political Art, renowned critic, curator, and writer Christian Viveros-Fauné has picked fifty representative artworks—from Francisco de Goya’s The Disasters of War (1810–1820) to David Hammons’s In the Hood (1993)—that give voice to some of modern art’s strongest calls to political action. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eIn accessible and witty entries on each piece, Viveros-Fauné paints a picture of the context in which each work was created, the artist’s background, and the historical impact of each contribution. At times artists create projects that subvert existing power structures; at other moments they make artwork so powerful it challenges the very fabric of society. Whether it is Picasso’s Guernica and its place at the 1937 Worlds Fair, or Jenny Holzer’s Truisms (1977–1979), which still stop us in our tracks, this book tells the story behind some of the most important and unexpected encounters between artworks and the real worlds they engage with. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eNever professing to be a definitive history of political art, Social Forms delivers a unique and compelling portrait of how artists during the last 150 years have dealt with changing political systems, the violence of modern warfare, the rise of consumer culture worldwide, the prevalence of inequality and racism, and the challenges of technology.\u003c\/span\u003e\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36844495437985,"sku":"9781941701904","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2018SocialForms_0001-v.jpg?v=1756816557"},{"product_id":"concrete-cuba-cuban-geometric-abstraction-from-the-1950s","title":"Concrete Cuba: Cuban Geometric Abstraction from the 1950s","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRadical political shifts that raged throughout Cuba in the 1950s coincided with the development of Cuban geometric abstraction and, notably, the formation of Los Diez Pintores Concretos (Ten Concrete Painters). The decade was marked by widespread turmoil and corruption following the 1952 military coup and by rising nationalist sentiments. At the same time, Havana was undergoing rapid urbanization and quickly becoming an international city. Against this vibrant backdrop, artists sought a new visual language in which art, specifically abstract art, could function as political and social practice.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eConcrete Cuba\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emarks one of the first major presentations outside of Cuba to focus exclusively on the origins of concretism in the country. It includes important works from the late 1940s through the early 1960s by the twelve artists who were at different times associated with the short-lived group: Pedro Álvarez, Wifredo Arcay, Mario Carreño, Salvador Corratgé, Sandú Darié, Luis Martínez Pedro, Alberto Menocal, José M. Mijares, Pedro de Oraá, José Ángel Rosabal, Loló Soldevilla, and Rafael Soriano. Many of the group’s members had traveled widely in the preceding years and corresponded with those at the forefront of European and South American abstract movements.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eProduced on the occasion of the major exhibition at David Zwirner,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eConcrete Cuba\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis the first in-depth catalogue on the subject to be published in English; the show offered a “wonderful taste of a very complicated history,” according to Roberta Smith of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe New York Times\u003c\/i\u003e. With an extensive plate section, which includes works from the exhibition and a selection of important pieces from the permanent collection of Museo Nacional de Bellas Artes, Havana, this volume provides readers with a rich visual experience of this crucial period in modernism’s history. The catalogue also features an extensively researched illustrated chronology, compiled by Susanna Temkin, which tracks the development of the period artistically and politically from 1939 through 1964. New scholarship by Abigail McEwen offers an interpretative framework for this group of artists, and a deeper understanding of the forces behind the development of this movement. Also included is a conversation between Lucas Zwirner and Pedro de Oraá, one of the central members of Los Diez.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36844575522977,"sku":"9781941701331","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2016_ConcreteCuba_0007-v.jpg?v=1756817000"},{"product_id":"jason-rhoades-pearoefoam","title":"Jason Rhoades: PeaRoeFoam","description":"\u003cp\u003eUp to his untimely death in 2006 at age 41, Jason Rhoades carried out a continuous assault on aesthetic conventions and the rules governing the art world—wryly subverting those very conditions by using them as materials for his work. In 2002, Rhoades introduced the world to his PeaRoeFoam, a “brand new product and revolutionary new material” created from whole green peas, fish-bait style salmon eggs, and white virgin-beaded foam. When combined with non-toxic glue, they transform into a versatile, fast-drying, and ultimately hard material that he intended for both utilitarian as well as artistic uses—his detailed step-by-step instructions accompanied do-it-yourself kits complete with everything needed to make PeaRoeFoam. \u003c\/p\u003e\n\u003cp\u003eRhoades debuted his PeaRoeFoam project at David Zwirner in 2002 (then located on Greene Street in SoHo) in the first of a trilogy of exhibitions that also brought it to Vienna and Liverpool the same year. Following the original “PeaRoeFormance” at the gallery, the artist moved the equipment to the Museum Moderner Kunst Stiftung Ludwig Wien (MUMOK) in Vienna, where he added a makeshift karaoke studio, and then to the Liverpool Biennial, where he continued the production inside a giant, inflatable pool the shape and color of a human liver. PeaRoeFoam continued to be appropriated for subsequent works, but the majority of the leftovers and objects from all three “PeaRoeFormances” found a new place in Rhoades’s studio. Arranged on shelves covering the full length of a large wall, they remained on the location until after the artist’s death. The entirety of the installation, never previously shown, was exhibited as part of the comprehensive presentation of the PeaRoeFoam project at David Zwirner in New York in 2014. \u003c\/p\u003e\n\u003cp\u003eThis seminal publication is the first to properly examine and situate PeaRoeFoam within Rhoades’s career and to acknowledge its importance within the overall framework of his practice. The 2014 exhibition at David Zwirner presented many of the individual components for the first time since their original installations, and this book discusses and reproduces those initial presentations in depth. Also included is an abundance of archival documents and photographs, installation views of all 2002 shows, as well as the artist’s diagrams and drawings. The publication also features a personal and revealing essay by David Zwirner, who began showing Rhoades’s work in the early 1990s, new scholarship by Julien Bismuth, and selected interviews from the Jason Rhoades Oral History project, conceived by Dylan Kenny and Lucas Zwirner, who have interviewed over fifty artists, curators, friends, collaborators, art historians, and others who intimately knew the artist—including curator and art historian Linda Norden.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36845365330081,"sku":"9781941701072","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2016RhoadesPearoefoam_0008-v.jpg?v=1756816751"},{"product_id":"josh-smith-emo-jungle","title":"Josh Smith: Emo Jungle","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe most comprehensive overview of artist Josh Smith’s radical technicolor paintings. Josh Smith: Emo Jungle looks at the artist’s vigorous repetition of particular motifs, illuminating his approach to painting as an exploratory medium for image production. Published on the occasion of Smith’s critically acclaimed first exhibition at David Zwirner, this catalogue features a new body of work that marks an important evolution for the artist. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eIn these paintings, Smith sets the stage for a new mode of self-reflective commentary on image making, acknowledging that “the meaning perhaps arises in the making.” A new essay by Bob Nickas treats the Reaper, Turtle, and Devil figures from Emo Jungle as ciphers through which to understand Smith’s work. Nickas demonstrates how these new paintings restage and personalize the artist’s more abstract earlier works and illuminates the ways in which repetition functions within Smith’s practice. With more than one hundred illustrations, this book serves as the ideal introduction to Smith’s disruptive oeuvre.\u003c\/span\u003e\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":36846223884449,"sku":"9781644230398","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2020Smith_0003-v.jpg?v=1756816816"},{"product_id":"richard-serra-early-work","title":"Richard Serra: Early Work","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003ePublished to celebrate the critically acclaimed 2013 exhibition at David Zwirner in New York, a show that\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe New York Times\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eart critic Ken Johnson called “near perfect,”\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRichard Serra: Early Work\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003edevotes over three hundred pages to a key five-year period of the artist’s earliest work. Anchored by exquisite black-and-white plates, from installation views of works in situ to documentary photographs, this “impressively realized” publication offers “a blow-by-blow account of Serra’s rapidly expanding art-world presence,” as described in a\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBookforum\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ereview. Focusing specifically on work the artist produced during the period between 1966 and 1971, this classic tome documents the significance of his early work, with archival texts and reviews, alongside new scholarship by American art critic and historian Hal Foster. \u003c\/p\u003e\n\u003cp\u003eProduced in close collaboration with the artist, this monograph aims to reconsider the groundbreaking practices and ideas that so firmly situate Serra in the history of twentieth-century art. Its stunning selection of seminal works illuminates the debut of the artist’s innovative, process-oriented experiments with nontraditional materials, such as vulcanized rubber, neon, and lead, and introduces the interplay of gravity and material—of \"verticality and horizontality,” writes Foster—that would remain a fundamental aspect of Serra’s production over the subsequent decades. Also featured in the publication are key early examples of the artist’s work in steel, as well as stills from some of his most important early films.\u003c\/p\u003e","brand":"David Zwirner Books","offers":[{"title":"Default Title","offer_id":36846629978273,"sku":"9780989980906","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2014SerraEarlyWork_0003-v.jpg?v=1756816918"},{"product_id":"jason-rhoades-black-pussy-cocktail-coffee-table-book","title":"Jason Rhoades’ Black Pussy Cocktail Coffee Table Book","description":"\u003cp\u003eBook\u003c\/p\u003e","brand":"David Zwirner Books","offers":[{"title":"Default Title","offer_id":36846794473633,"sku":"9783865216311","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/products\/498400_753171885_product.jpg?v=1756817064"},{"product_id":"william-shakespeare-marcel-dzama-a-midsummer-nights-dream","title":"William Shakespeare × Marcel Dzama: A Midsummer Night’s Dream","description":"\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eSet in an enchanted forest, Shakespeare’s A Midsummer Night’s Dream is the ideal subject for artist Marcel Dzama, whose work frequently references dreams, fairy tales, and mythical worlds. Text by William Shakespeare. Artwork by Marcel Dzama. Introduction by Leslie Jamison\u003c\/span\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":39297839857825,"sku":"9781644230442","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2021ShakespearexDzama_0003c-v.jpg?v=1756816577"},{"product_id":"crumbs-world","title":"Crumb’s World","description":"\u003cdiv class=\"my-[3.75rem]\"\u003e\n\u003cdiv style=\"--tw-ring-color: rgba(59,130,246,.5); --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid rgb(229, 231, 235); box-sizing: border-box; scrollbar-color: auto; scrollbar-width: auto;\" class=\"[\u0026amp;\u0026gt;p]:mb-5 last:[\u0026amp;\u0026gt;p]:mb-0\" data-testid=\"portable-text-block\"\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eR. Crumb’s obsessions—from sex to the Bible, music, politics, and the vicissitudes and obscenities of daily life—are chronicled in this comprehensive book of work by the illustrious American comic artist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eInstrumental in the formation of the underground comics scene in San Francisco during the 1960s and 1970s, Crumb has ruptured and expanded the boundaries of the graphic arts, redefining comics and cartoons as countercultural art forms. Presenting a slice of Crumb’s unique universe, this book features a wide array of printed matter culled from the artist’s five-decade career—tear sheets of drawings and comics taken directly from the publications where the works first appeared, magazine and album covers, broadsides from the 1960s and 1970s, tabloids from San Francisco’s Haight-Ashbury, Oakland, Manhattan’s Lower East Side, and other counterculture enclaves, as well as exhibition ephemera. Complementing this volume are historical works from the eighteenth and nineteenth centuries that have inspired Crumb and pages from his rarely seen sketchbooks from the 1970s and 1980s that reveal his exemplary skill as a draftsman.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eDocumenting the critically acclaimed exhibition\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDrawing for Print: Mind Fucks, Kultur Klashes, Pulp Fiction \u0026amp; Pulp Fact by the Illustrious R. Crumb\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eat David Zwirner, New York, in 2019, curated by Robert Storr, this publication offers an opportunity to immerse oneself in Crumb’s singular mind. In the accompanying text, Storr explores the challenging nature of some of Crumb’s work and the importance of artists who take on the status quo.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":39297839923361,"sku":"9781644230435","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2021CrumbsWorld_0004-v.jpg?v=1756816802"},{"product_id":"alice-neel-the-art-of-not-sitting-pretty","title":"Alice Neel: The Art of Not Sitting Pretty","description":"\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003ePhoebe Hoban’s definitive biography of the renowned American painter Alice Neel tells the unforgettable story of an artist whose life spanned the twentieth century, from women’s suffrage through the Depression, McCarthyism, the civil rights movement, the sexual revolution, and second-wave feminism. Throughout her life and work, Neel constantly challenged convention, ultimately gaining an enduring place in the canon.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eAlice Neel’s stated goal was to “capture the zeitgeist.” Born into a proper Victorian family at the turn of the twentieth century, Neel reached voting age during suffrage. A quintessential bohemian, she was one of the first artists participating in the Easel Project of the Works Progress Administration, documenting the challenges of life during the Depression. An avowed humanist, Neel chose to paint the world around her, sticking to figurative work even during the peak of abstract expressionism. Neel never ceased pushing the envelope, creating a unique chronicle of her time.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eNeel was fiercely democratic in selecting her subjects, who represent an extraordinarily diverse population—from such legendary figures as Joe Gould to her Spanish Harlem neighbors in the 1940s, the art critic Meyer Schapiro, Nobel Laureate Linus Pauling, Andy Warhol, and major figures of the labor, civil rights, and feminist movements—producing an indelible portrait of twentieth-century America. By dictating her own terms, Neel was able to transcend such personal tragedy as the death of her infant daughter, Santillana, a nervous breakdown and suicide attempts, and the separation from her second child, Isabetta. After spending much of her career in relative obscurity, Neel finally received a major museum retrospective in 1974, at the Whitney Museum of American Art, in New York.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eIn this first paperback edition of the authoritative biography of Neel, which serves also as a cultural history of twentieth-century New York, Hoban documents the tumultuous life of the artist in vivid detail, creating a portrait as incisive as Neel’s relentlessly honest paintings. With a new introduction by Hoban that explores Neel’s enduring relevance, this biography is essential to understanding and appreciating the life and work of one of America’s foremost artists.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":39298424242337,"sku":"9781644230527","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2021Neel_Hoban_0002-v.jpg?v=1756816522"},{"product_id":"liu-ye-the-book-paintings","title":"Liu Ye: The Book Paintings","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003ePublished on the occasion of a solo exhibition presented at David Zwirner, New York, in 2020, this catalogue includes new writing by the acclaimed poet Zhu Zhu, who traces the evolution of the book form in Liu’s work, as well as an interview with the artist by Hans Ulrich Obrist. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003eThe Beijing-based artist Liu Ye is known for his precise, deftly rendered representational paintings. Drawn equally from contemporary culture and old master painting, Liu’s wide-ranging visual touchstones include Piet Mondrian, Miffy the Bunny, and Prada advertisements. In this new publication devoted to his book paintings, the artist examines the book as both a physical object and cultural totem. Playing with geometry and perspective, Liu creates extraordinary and disorienting portraits of this most familiar subject. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003eLiu’s Book Painting series, begun in 2013, depicts close-up views of books that are turned open to reveal empty pages, an approach that emphasizes the object’s form over its content. Rendering books’ material structure—endpapers, binding, spine—in sensual detail, these paintings indicate an obsession with the book as an object and a lifelong love of literature. Liu’s father was a children’s book author who introduced him to Western writers at a young age, fueling his curiosity and imagination. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003eMany of the books in Liu’s father’s collection were banned in Cultural Revolution–era China and the artist read them secretly throughout his childhood. This formative experience figures in his popular Banned Books series and in his book paintings in general.\u003c\/span\u003e\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":39330512437409,"sku":"9781644230367","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2021LiuYe_0008-v.jpg?v=1756817058"},{"product_id":"harold-ancart-traveling-light","title":"Harold Ancart: Traveling Light","description":"\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eIn his rich new body of work, the Belgian artist Harold Ancart turns an immersive landscape of trees, mountains, and seas into a meditation on painting itself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eAncart often paints subjects that naturally invite contemplation, such as the horizon, clouds, flowers, flames, and icebergs. His newest body of work captures the experience of landscape seen in motion or from a distance: trees blurred while driving past, a far-off inky-black sea, an evocative Martian mountain range. Recalling René Magritte, Egon Schiele, Gustav Klimt, and Piet Mondrian, who approached this subject matter in distinct ways, Ancart blurs form and color, figure and ground, and figuration and abstraction.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eReproduced here in magnificent foldouts, two multipanel canvases situate the viewer between a mountainscape and a seascape, both monumental in scale. Ancart segments the seascape with a stark horizon line, dividing sky and ocean. Like other comparable motifs within the artist’s oeuvre, the vividly colored cloudy sky functions in an anthropomorphic way, alluding to the endless possibilities and personalities of organic forms.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eIncluding an interview with the artist by Bob Nickas, this catalogue offers insight into Ancart’s frank reflections on painting, writing, nature, and more. The publication also features a new essay by Laura McLean-Ferris. Taken together, the works in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTraveling Light\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003emeditate on the expansive possibilities of painting.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":39604446822561,"sku":"9781644230510","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2021Ancart_003-v.jpg?v=1756817054"},{"product_id":"ad-reinhardt-how-to-look","title":"Ad Reinhardt: How to Look","description":"\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eIn February 1943, the progressive newspaper PM hired Ad Reinhardt as its staff artist and, in January 1946, Reinhardt embarked on his most ambitious illustration project—the notable\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHow to Look\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eseries, in which his cartoons and collages transformed from small, supplemental illustrations, to complex, ironic, and pithy art-historical lessons always articulated with a keenly critical eye and a wry sense of humor that remains relevant today.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":39655962378401,"sku":"9783775737685","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/SHOPIFY_FRAME_38_330e114f-f286-4c08-b317-4b6d0c12fd6a.png?v=1756816660"},{"product_id":"carol-bove-collage-sculptures","title":"Carol Bove: Collage Sculptures","description":"\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eExploring the recent sculptural innovations of prominent contemporary artist Carol Bove\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cem\u003eCarol Bove: Collage Sculptures\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003epresents an extensive look into the contemporary artist’s work over the past five years and her ongoing exploration of scale, color, material, and artistic traditions of the twentieth century. \u003cbr aria-hidden=\"true\"\u003e \u003cbr aria-hidden=\"true\"\u003eBove’s recent work engages the conceptual concerns of mid-century sculpture, such as spontaneity, industrial materials, and the potential of painted sculpture. However, within this space of familiar sculptural traditions, Bove has discovered new approaches that lead to places previously unknown. Bove’s “collage sculptures” are created from scrap metal and stainless steel that has been carefully worked into sinuous forms and are frequently painted. Considering the hard rigidity of the steel, the works possess an appearance of almost impossible softness, as if steel could become as pliable as clay. Such works range from small pedestal sculptures to large, imposing compositions. Bove’s interest in scale and how a viewer’s understanding of an artwork shifts depending on its context are explored through a selection of small works from the collection of the Nasher Sculpture Center. \u003cbr aria-hidden=\"true\"\u003e \u003cbr aria-hidden=\"true\"\u003ePublished by the Nasher Sculpture Center, the catalogue features beautiful reproductions of Bove’s work and an introduction as well as an essay by curator Catherine Craft on the development of the collage sculptures and their relationship to other artists and traditions of modern sculpture. Also included is an essay by Lisa Le Feuvre that explores Bove’s complex work by means of a thematic alphabet related to the artist’s interests.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":41300844085409,"sku":"9781644230671","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2022Bove_02-v.jpg?v=1756817166"},{"product_id":"shakespeare-x-rose-wylie-the-tempest","title":"Shakespeare x Rose Wylie: The Tempest","description":"\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eSet on a remote island, Shakespeare’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Tempest\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis an ideal subject for the artist Rose Wylie, whose work frequently references classic stories and well-known characters.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eLikely the last play written entirely by Shakespeare,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Tempest\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ebrings together various themes the Bard explored in his prior plays, including magic, revenge and forgiveness, order and society, and nature versus art. The shipwreck and remote island, the spirits, and the dukes and their children offer rich material for Wylie’s works on paper and canvas.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eAs the third title in David Zwirner Books’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSeeing Shakespeare\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eseries, this book pairs a complex narrative with equally layered works by a contemporary artist who approaches the play and art making from a unique perspective. Also included is an introduction by the writer Katie Kitamura.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":41300844118177,"sku":"9781644230619","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2022ShakespearexWylie_03-v.jpg?v=1756816571"},{"product_id":"the-five-lives-of-hilma-af-klint","title":"The Five Lives of Hilma af Klint","description":"\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eA moving biography, told in vivid illustrations, this graphic novel features key moments in the life of Swedish artist and pioneer of abstract painting Hilma af Klint (1862–1944). Long underrecognized, af Klint is amid a sensational rediscovery that continues to take art audiences by storm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eArtist Philipp Deines traces the story of now world-famous af Klint’s unique life and groundbreaking oeuvre through five chapters featuring her development as an artist, her family background, and her relationship to the spiritual. Highlighting how she came to her distinctive paintings, her spiritual quest, and the friends who helped her, this is a story of the strength it took af Klint to continue as an artist against all odds.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eBeautifully drawn, brightly colored, and well researched, this graphic novel is a new way of looking at the story of an artist. Referencing Julia Voss’s new biography of af Klint, Deines presents an accessible and lively introduction for many ages. Biography, art history, and contemporary narrative style merge and complement each other in this magnificent visual world.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":41300844150945,"sku":"9781644230695","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2022FiveLivesofHilmaafKlint_cover-angle-v.jpg?v=1756816655"},{"product_id":"portia-zvavahera","title":"Portia Zvavahera","description":"\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eExpressive and rich paintings by the Zimbabwean artist Portia Zvavahera—made during a time of intense solitude and collective struggle across the globe.\u003c\/span\u003e \u003cbr aria-hidden=\"true\"\u003e \u003cbr aria-hidden=\"true\"\u003eIn her paintings, Zvavahera gives form to emotions that manifest from other realms and dimensions beyond the domains of everyday life and thought. Her vivid imagery is rooted in the cornerstones of our earthly existence—life and death, pain and pleasure, isolation and connection, and love and loss. \u003cbr aria-hidden=\"true\"\u003e \u003cbr aria-hidden=\"true\"\u003eZvavahera draws from a powerful visual vocabulary comprising women, her family, and shape-shifting animals, in scenes both metaphorical and fantastical. In several paintings, she makes use of intricate patterns taken from her own floral or classical Zimbabwean designs. Her particular process of alternating painting and printing results in images that communicate complex emotions in a play of tension and release. The result is a deeply personal body of work that probes the nature of the human condition. As Zvavahera states, “It is me in the paintings.… I can only speak about myself.” \u003cbr aria-hidden=\"true\"\u003e \u003cbr aria-hidden=\"true\"\u003eIn addition to gorgeous reproductions of twenty-four paintings, including up-close details and installation views, this catalogue also features a new essay by the curator Meredith Brown and an interview with the artist by the writer Allie Biswas. This catalogue surveys work made since 2017.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":41300844347553,"sku":"9781644230718","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2023Zvavahera_001-v.jpg?v=1756817108"},{"product_id":"bridget-riley-past-into-present","title":"Bridget Riley: Past into Present","description":"\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eRenowned British artist Bridget Riley’s paintings have provoked powerful sensations through their formally taut, abstract compositions over the course of her more than six-decade career. In this new body of work, Riley returns to earlier ideas and takes them into further and surprising directions.\u003c\/span\u003e \u003cbr aria-hidden=\"true\"\u003e \u003cbr aria-hidden=\"true\"\u003eAs the artist has noted, “I am sometimes asked ‘What is your objective’ and this I cannot truthfully answer. I work ‘from’ something rather than ‘towards’ something. It is a process of discovery.” Since 1961, Riley has focused exclusively on seemingly simple geometric forms, such as lines, circles, curves, and squares, arrayed across a surface—whether a canvas, a wall, or paper—according to an internal logic. The resulting compositions actively engage the viewer, at times triggering sensations of vibration and movement. In the present selection, Riley advances her\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMeasure for Measure\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eseries, her most extensive body of work to date, into a new, darker color palette—once again, changing the way we look and offering a powerful effect on our eyes. \u003cbr aria-hidden=\"true\"\u003e \u003cbr aria-hidden=\"true\"\u003eThis sense of dynamism was explored to great effect in the artist’s earliest black-and-white paintings, which established the basis of her enduring formal vocabulary. In 2020, after visiting her own earlier works at her retrospective exhibition organized by the National Galleries of Scotland, Riley returned to black-and-white lozenges, adjusting the orientation of each shape to create a new visual sensation. \u003cbr aria-hidden=\"true\"\u003e \u003cbr aria-hidden=\"true\"\u003ePublished on the occasion of the 2021 exhibition at David Zwirner, London, this monograph features new scholarship on the artist by art historian Éric de Chassey, who looks at how Riley’s past, in addition to the history of art, has led to this body of work.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":41300844478625,"sku":"9781644230664","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2023Riley_002-v.jpg?v=1756816987"},{"product_id":"william-eggleston-the-outlands-selected-works","title":"William Eggleston: The Outlands, Selected Works","description":"\u003cdiv class=\"my-[3.75rem]\"\u003e\n\u003cdiv style=\"--tw-ring-color: rgba(59,130,246,.5); --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid rgb(229, 231, 235); box-sizing: border-box; scrollbar-color: auto; scrollbar-width: auto;\" class=\"[\u0026amp;\u0026gt;p]:mb-5 last:[\u0026amp;\u0026gt;p]:mb-0\" data-testid=\"portable-text-block\"\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eA selection of nearly one hundred previously unseen images from the 1960s and 1970s by the pioneer of color photography, William Eggleston.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cem\u003eThe Outlands\u003c\/em\u003e, a series of photographs taken by Eggleston between 1969 and 1974, establishes the groundbreaking visual themes and lexicon that the artist would continue to develop for decades to come. The work offers a journey through the mythic and evolving American South, seen through the artist’s lens: vibrant colors and a profound sense of nostalgia echo throughout Eggleston’s breathtaking oeuvre. His motifs of signage, cars, and roadside scenes create an iconography of American vistas that inspired a generation of photographers. With its in-depth selection of unforgettable images—a wood-paneled station wagon, doors flung open, parked in an expansive rural setting; the artist’s grandmother in the moody interior of their family’s Sumner, Mississippi home—\u003cem\u003eThe Outlands\u003c\/em\u003e is emblematic of Eggleston’s dynamic, experimental practice. The breadth of work reenergizes his iconic landscapes and forms a new perspective of the American South in transition.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eAccompanying the ninety brilliant Kodachrome images and details, a literary, fictional text by the critically acclaimed author Rachel Kushner imagines a story of hitchhikers trekking through the Deep South. New scholarship by Robert Slifkin reframes the art-historical significance of Eggleston’s oeuvre, proposing affinities with work by Marcel Duchamp, Dan Graham, Jasper Johns, and Robert Smithson. A foreword by William Eggleston III offers important insights into the process of selecting and sequencing this series of images.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":42146419966113,"sku":"9781644230770","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2022EgglestonOutlands_002-v.jpg?v=1756817277"},{"product_id":"diane-arbus-documents","title":"Diane Arbus Documents","description":"\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eThrough an assemblage of articles, criticism, and essays from 1967 to the present, this groundbreaking publication charts the reception of the photographer’s work and offers comprehensive insight into the critical conversations, as well as misconceptions, around this highly influential artist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eBest known for her penetrating images exploring what it means to be human, Diane Arbus is a pivotal and singularfigure in American postwar photography. Arbus’s black-and-white photographs demolish aesthetic conventions and upend all certainties. Both lauded and criticized for her photographs of people deemed “outsiders,” Arbus continues to be a lightning rod for a wide range of opinions surrounding her subject matter and approach. Critics and writers have described her work as “sinister” and “appalling” as well as “revelatory,” “sincere,” and “compassionate.” Through an assemblage of articles, criticism, and essays from 1967 to the present,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDiane Arbus Documents\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003echarts the reception of the revolutionary photographer's work.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eIlluminating fifty years of evolution in the field of art criticism,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDocuments\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eprovides a new template for understanding the work of any formidable artist. Organized in eleven sections that focus on major exhibitions and significant events emerging from Arbus’s work, as well as on her methods and intentions, the sixty-nine facsimiles of previously published articles and essays––an archive by all accounts––trace the discourse on Arbus, contextualizing her inimitable oeuvre. Supplemented by an annotated bibliography of more than six hundred entries and a comprehensive exhibition history,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDocuments\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eserves as an important resource for photographers, researchers, art historians, and art critics, in addition to students of art criticism and the interested reader alike.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":42146420162721,"sku":"9781644230657","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2022arbusdocuments_cover2-angle2-v.jpg?v=1756817275"},{"product_id":"rose-wylie-which-one","title":"Rose Wylie: Which One","description":"\u003cp data-mce-fragment=\"1\" dir=\"ltr\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRose Wylie: Which One, is a\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003ecomprehensive publication of work from the past six years the beloved artist, highlighting her expansive oeuvre of painting and works on paper.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" dir=\"ltr\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e“Wylie fearlessly tackles the thorniest topics head-on, committing her thoughts and questions about politics, religion, fame, love, history, money and nature to canvas.” —\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eHarper’s Bazaar\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" dir=\"ltr\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInspired by film, pop culture, and the history of fashion, Wylie harnesses a union of high and low culture with a bold technique of mark making. Her unique practice of material overlay and erasure creates fantastic compositions. Playing with the conceptual tensions between formal and informal aesthetics, Wylie also employs the visual elements of text as crucial details in her paintings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" dir=\"ltr\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith beautiful swiss binding, this monograph compiles work from five exhibitions at David Zwirner, offering an impressive view of Wylie’s most recent work. Giving insight to Wylie’s feminist and rebellious impulses, Judith Bernstein writes an accompanying text on how she relates to Wylie’s ambitious and playful energy. This publication also features a foreword by Nicholas Serota and new essays by David Salle and Barry Schwabsky, in addition to an enlightening interview between the artist and Hans Ulrich Obrist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" dir=\"ltr\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith a foreword by Nicholas Serota. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTexts by Judith Bernstein, David Salle, and Barry Schwabsky and an i\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003enterview with the artist by Hans Ulrich Obrist\u003c\/span\u003e\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":42651804565665,"sku":"9781644230756","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2023Wylie_002-v.jpg?v=1756817245"},{"product_id":"hilma-af-klint-tree-of-knowledge","title":"Hilma af Klint: Tree of Knowledge","description":"\u003cdiv class=\"my-[3.75rem]\"\u003e\n\u003cdiv data-testid=\"portable-text-block\" class=\"[\u0026amp;\u0026gt;p]:mb-5 last:[\u0026amp;\u0026gt;p]:mb-0\" style=\"--tw-ring-color: rgba(59,130,246,.5); --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid rgb(229, 231, 235); box-sizing: border-box; scrollbar-color: auto; scrollbar-width: auto;\"\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eThe first detailed survey of Swedish artist Hilma af Klint’s groundbreaking\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTree of Knowledge\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eseries\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e“Revelatory and sublime. . . . Her work remains conceptually open enough for viewers to draw their own conclusions, insert their own meaning and feel transported to other glorious worlds.” —\u003cem\u003eThe New York Times\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eOne of the most inventive artists of the twentieth century, af Klint was a pioneer of abstraction. Her first forays into nonobjective painting preceded the work of Kandinsky and Mondrian and radically mined the fields of science and religion. Deeply interested in spiritualism and philosophy, af Klint developed an iconography that explores esoteric concepts in metaphysics, as demonstrated in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTree of Knowledge\u003c\/em\u003e. This rarely seen series of works on paper renders orbital, enigmatic forms, visual allegories of unification and separateness, darkness and light, beginning and end, life and death, and spirit and matter.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003ePublished on the occasion of the exhibition\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHilma af Klint: Tree of Knowledge\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eat\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.davidzwirner.com\/exhibitions\/2021\/hilma-af-klint-tree-of-knowledge\" class=\"transition-text-decoration duration-300 ease-in decoration-1 cursor-pointer underline decoration-black-40 hover:decoration-black-60 focus:decoration-black-60 underline-offset-[0.375rem]\" target=\"_self\"\u003eDavid Zwirner, New York\u003c\/a\u003e, in 2021 and\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.davidzwirner.com\/exhibitions\/2022\/hilma-af-klint-tree-of-knowledge-london\" class=\"transition-text-decoration duration-300 ease-in decoration-1 cursor-pointer underline decoration-black-40 hover:decoration-black-60 focus:decoration-black-60 underline-offset-[0.375rem]\" target=\"_self\"\u003eDavid Zwirner, London\u003c\/a\u003e, in 2022, this book features a text by the art historian Susan Aberth examining af Klint’s spiritual and theosophical influences. With a conversation between curator Helen Molesworth and the US Poet Laureate Joy Harjo discussing connections between\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTree of Knowledge\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand Native theories, the publication broadens the scope of philosophical interpretations of af Klint's timeless work. Also included is a newly commissioned essay by the celebrated af Klint scholar Julia Voss, a contribution by the artist Suzan Frecon, and a text by art historian Max Rosenberg that further develops the conversation around why af Klint’s work was not recognized in its time.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":42757639241889,"sku":"9781644230848","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/v2_2023afKlint_002-v.jpg?v=1756816983"},{"product_id":"yayoi-kusama-the-journal","title":"Yayoi Kusama: The Journal","description":"\u003cdiv class=\"my-[3.75rem]\"\u003e\n\u003cdiv data-testid=\"portable-text-block\" class=\"[\u0026amp;\u0026gt;p]:mb-5 last:[\u0026amp;\u0026gt;p]:mb-0\" style=\"--tw-ring-color: rgba(59,130,246,.5); --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid rgb(229, 231, 235); box-sizing: border-box; scrollbar-color: auto; scrollbar-width: auto;\"\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eFeaturing the vibrant and dynamic work of Yayoi Kusama, this journal is the perfect canvas for creative thought.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eThe Japanese artist Yayoi Kusama’s kaleidoscopic environments have captured the imaginations of millions of museum and gallery visitors around the world. Her quintessential polka dots, organic shapes, and optical environments that become hypnotic, merging concepts of flatness and depth, presence and absence, and beauty and the sublime. The paintings on the cover and endpapers of Kusama’s first Artist Journal provide the perfect motivation for any creative pursuit.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eEach journal is beautifully crafted in Verona, Italy.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":42767671525537,"sku":"9781644230916","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2023KusamaJournal_001-v.jpg?v=1756816635"},{"product_id":"richard-shiff-writing-after-art-essays-on-modern-and-contemporary-artists","title":"Richard Shiff: Writing after Art, Essays on Modern and Contemporary Artists","description":"\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eAn expansive anthology of the critic and art historian Richard Shiff’s most influential writings, which have shaped today's understanding of twentieth- and twenty-first-century art\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e“To see a work, to gather it in as sensation, is less than knowing it, less than classifying it, less than theorizing it….But seeing art, or sensing it by some other means, also becomes more than knowing it. To prolong sensory involvement with a work of art preserves its greatest potential.”\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eIn his engaging and penetrating observations on modern and contemporary visual art, Shiff has written about an impressive range of creative forces, including Willem de Kooning, Marlene Dumas, Jasper Johns, Donald Judd, Barnett Newman, Pablo Picasso, Bridget Riley, and Peter Saul. A leading scholar and powerful voice, Shiff offers insight into prominent artistic practices that span generations and approaches, as seen in this considered selection of essays on twenty-seven artists.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eThese writings first appeared in exhibition catalogues for institutions including the Centre Georges Pompidou, the Solomon R. Guggenheim Museum, The Museum of Modern Art, New York, and Tate Modern. Shiff supplements his unquestionable fluency in art history with perspectives cultivated from his readings in philosophy, phenomenology, literary theory, and psychoanalysis, among other fields. Shiff’s writing—conceptually rich, meditative, and enjoyable to read—is attuned to the nuances of artistic style and technique, drawing out art’s social implications not merely from broad histories but also directly from artists’ mark making and technical gestures. Actively engaged as a viewer and a writer, Shiff has transformed the act of looking at art into contemplative and captivating writing.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cem\u003eRichard Shiff: Writing after Art\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eincludes essays on Georg Baselitz, Mark Bradford, Georges Braque, Jim Campbell, Chuck Close, Willem de Kooning, Peter Doig, Marlene Dumas, Dan Flavin, Suzan Frecon, Lucian Freud, Ellen Gallagher, Jasper Johns, Donald Judd, Ellsworth Kelly, Brice Marden, Julie Mehretu, Barnett Newman, Pablo Picasso, Bridget Riley, Peter Saul, Richard Serra, Joel Shapiro, Richard Tuttle, Cy Twombly, Jack Whitten, and Zeng Fanzhi.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":42767671754913,"sku":"9781644230480","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2023Shiff_003-v.jpg?v=1756816796"},{"product_id":"nate-lowman","title":"Nate Lowman","description":"\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e\u003cspan class=\"font-semibold\"\u003eA stunning, focused document of Nate Lowman’s work from the past four years\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003e“Brewing the good, the bad, and the ugly of consumerist modern life in his masterful paintings, Lowman draws a portrait of the times that is equally mischievous and somber.” —\u003cem\u003eBOMB Magazine\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eWith an archive of source material amassed and processed over time, Lowman creates slippery, layered images that transform visual referents found in the news, media, and art history. In this volume, Lowman plays with cataclysmic imagery that probes the tensions between the everyday and the extreme, presence and absence, and violence and representation. In his vibrant paintings of digitally rendered hurricane imagery and crime scene photography cataloging the aftermath of the October 2017 mass shooting in Las Vegas, he considers the physicality of his medium in connection to the chaos of his subject matter.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eSpotlighting Lowman’s exhibitions at David Zwirner in London and New York along with other recent work, this monograph includes a text by Lynne Tillman that provides a unique perspective across all bodies of Lowman’s oeuvre. In an interview with Andrew Paul Woolbright for\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Brooklyn Rail\u003c\/em\u003e, Lowman discusses his engagement with representation and meaning, twentieth-century gestural and pop art, slow painting, and American violence.\u003c\/p\u003e","brand":"DZB","offers":[{"title":"Default Title","offer_id":42767671820449,"sku":"9781644231029","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/8917\/3409\/files\/2023Lowman_002-v.jpg?v=1756817195"}],"url":"https:\/\/cart.davidzwirner.com\/collections\/archive-sale-2026.oembed?page=3","provider":"David Zwirner Books","version":"1.0","type":"link"}